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Friday's Five of the Best Archive TV Clips - Vol.1

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Welcome to what I hope will be a regular Friday feature and, as the title suggests, it will feature five archive TV clips that I've found online and think will be of interest to Curious British Telly readers. So, every Friday, at the end of what will almost certainly be a tough week, there will be a little dose of nostalgic escapism to remedy the horrors of the modern world.

Anyway, this week finds forgotten British children's TV shows coming to the fore, one of Michael Grade's least favourite sci-fi shows (not including Doctor Who) being reviewed and even some good old pre-Premier League football.

1. Hokey Cokey - BBC2 - 1989



Although forgotten by most people who grew up in the 1980s, I most certainly remember Hokey Cokey. I guess, in a way, it's not that dissimilar to Play School and, in fact, Don Spencer and Chloe Ashcroft both starred in Play School. Accordingly, you should be able to figure out what you're going to get: songs, stories and looking at how things work. This particular episode, first aired in 1984, takes snow as its theme and, God knows, we could all do with some of that right now.

2. Did You See...? The Tripods - BBC2 - 1984



One of the greatest 'what if?' questions will forever be: what if the BBC had gone through with the third series of The Tripods rather than cancelling it after the second series? To be fair, it was lucky to get a second series given the plodding pace of the first series which even its most die-hard fans - including myself - admit is a major stumbling block. This 1984 clip from TV review show Did You See...? finds Angela Huth, Brian Aldiss and Andrew Knight all putting the boot in.

3. Manchester United v Barcelona Pre-Match Credits and Intro - ITV - 1991



The 1990/91 season saw English football teams being accepted back into Europe after five years in the wilderness following the Heysel tragedy. And, to celebrate this re-entry, Manchester United only went and won the Cup Winner's Cup against a rather tasty Barcelona team. Although the Premier League was fast approaching, it was still a different era of football with ITV's presentation of the match featuring Elton Welsby, Denis Law and Jimmy Greaves.

4. BBC1 Junction into Evening News - 1984



With Philip Schofield and the Broom Cupboard still a year away, there wasn't much continuity to hold the afternoon's children's schedule together on the BBC. Thankfully, though, they did have some rather wonderful 8-bit animations complete with plinky plonk sound effects such as this one featuring a 'naughty cat' from the end of the children's strand.

As an added bonus, this clips also features a sparse presentation on the next day's programming for children. But that's not all! There's also a quick look at the regional news, a slide for The Man from Uncle, an amazing BBC clock AND some fantastic BBC News graphics.

What's that in the corner of your eye? That's right, it's a nostalgic tear.

5. In-Vision Closedown and Phone Call - Channel 4 - 1982



In the early days of Channel 4, the closedown for each evening featured in-vision presenters saying goodnight to viewers from a rather destitute, grey set complete with, for a dash of glamour, a palm plant. This particular clip not only harks back to a simpler age of TV presentation, but also comes complete with a curious continuity cock-up, just keep watching to the end.


The Year of the Sex Olympics: 50 Years On

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Today's blog is written by Jonathan Hayward, a man with an almost encyclopaedic knowledge of British TV

This Monday will see the finale of this year’s series of Love Island on ITV2, the most successful yet in terms of viewing figures and, indeed, the most successful in the channel’s and digital TV history. What will also be truly extraordinary, if a trifle disturbing, will be the fact that it will be almost 50 years to the day, and virtually the exact time, that Nigel Kneale’s The Year of The Sex Olympics was first broadcast by BBC2.


Kneale’s teleplay was a dystopian and mordantly satirical prediction for the future of the TV medium, with devious but shrewd producers and executives (named the High Drives) broadcasting deliberately lowest common denominator programming (“Sports-sex") to keep the masses (named the Low Drives) docile and apathetic. This world of television is portrayed by 24 hour programming featuring photogenic young people during coupling, mulled over by a hyperactive female host, Misch (Vickery Turner), who encourages the viewers to vote for their favourite lovebirds.


Sounds familiar, you say? It was astonishingly prescient, almost chillingly, of Kneale to envisage such eventualities (all predetermined by the foreboding sub-title, ”Sooner Than You Think.....”). If anything, the process of dumbing down and anaesthetizing the public to tawdry, tacky and often sensationalized events and incidents in such programmes has turned out far worse than he could have ever assumed. In fact, the level of cultural interest appropriated to Love Island would probably leave Kneale spinning in his grave with even The Guardian devoting two dozen articles towards the current series.


Going back to the original, the High Drive producers (Brian Cox and Leonard Rossiter) have CCTV to observe the reaction of the Low Drive audience, which is one of bored indifference, designed to wean them off sex. Other programmes on offer show elderly men, and later various circus clowns, throwing what seems to be custard at each other in an attempt to wean the viewers off food.


The main co-ordinator, Ugo Priest (Rossiter) believes that there is not enough tension, while another associate, Nat Mender (Tony Vogel), feels TV should be used more to educate and inform the masses. One young man behind the scenes (Martin Potter), attempts to force a bit of culture onto the box by getting his avant-garde paintings shown on live TV. He tries to achieve this by climbing up the studio scaffolding, but falls to his death, a demise which brings a reaction of roaring laughter from the Low Drives as it is broadcast.


The audience reaction to such an incident persuades Priest and his closest associate Lasar Opie (Cox) to develop a new programme concept entitled The Live-Life Show. This series places Nat, his former partner (Suzanne Neve) and their daughter on a bleak island, monitored again by cameras 24 hours a day, with no modern creature comforts at hand, having to live a primitive life.

This initially appears rather dull and innocuous as if to placate the Low Drives into more apathy, but both Priest and Opie have a plan to deliberately create more 'tension' again, or the 'fruitskin' as they call it, by planting a violent criminal (George Murcell) on the island without the family knowing. Will this truly engender the tension and audience reaction they desire?

Big Brother, Survivor, Love Island and even I'm a Celebrity, Get Me Out of Here can be compared to Kneale's uncannily accurate and doom-laden scenario for the future of the medium he graced with such distinction in serials such as Quatermass and The Stone Tape. There are also concepts from Orwell such as "Prole Feed" (keeping the masses quiet by deliberately providing lowbrow culture) and the characters speak in a barely articulate patois (a la Burgess in A Clockwork Orange), a neat move that reduces the importance of words and sentences compared to imagery.


The language choice is brave, but results in a mixed bag on-screen. Some of the actor's struggle with such complicated prose, particularly Vogel who appears rather baffled and plays most of his role with permanently bulging eyes. But Rossiter and Cox cope better with the stylized dialogue, as does Vickery Turner, whose personality and presenting style cleverly anticipates that of Davina McCall and (perhaps) Caroline Flack.


The play is also slightly overlong with some scenes tending to ramble on pointlessly, and the costuming (which feature paisley shirts and togas) and set designs are inevitably dated. It's possible that the aesthetics were deliberately garish as The Year of the Sex Olympics was an early example of a colour transmission, which was probably seen by very few people on its initial broadcast. The colour version has been lost for decades, but a black and white recording of the programme was eventually found in the 1980s.

We can be grateful for its rediscovery as it allows us again to observe Kneale’s uniquely fascinating and amazingly prescient forecast for the future of TV. A future which he hoped would never come to fruition, but in the end was probably ruefully and regretfully surveyed by him in his later years. No doubt, before his death in 2006, he had wryly explained to those who listened (excluding modern TV executives) that "I told you so..."

The Year of the Sex Olympics is a very intellectual treatise on a very non-intellectual subject, ruthlessly manipulated by powerful individuals behind the scenes. It leads to a horrifying finale which, although it hasn’t actually happened as yet on British reality TV, still chimes disturbingly with the squalid exaggeration and sensationalism designed to court publicity and hype to attract more viewers. Such quality and intelligence now feels very distant in the memory when it comes to reviewing contemporary television.

And as many of us will also mark the 50th anniversary of the first episode of Dad’s Army first was broadcast two days later after The Year of the Sex Olympics on the 31st July 1968, it now appears we can now only pray for the return of “quality TV”.

Archive Tape Digging: July 2018

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It's been another bumper month of dusting down VHS tapes and holding them up to the light of the modern day. I'm still wading through the pile of tapes I got at the start of June and they're still throwing up some intriguing finds. Progress is a little slow due to life commitments, but I've been making regular uploads over the last month and here are some of the best picks:

1989 - ITV (Anglia) - Advert Break



I usually hate long play recordings as they were pretty terrible quality at the time of recording and they seem to have degraded even further over the decades. However, this particular long play recording comes from an S-VHS tape and, even then, it's the equivalent quality of standard VHS if not slightly better. What stood out, in particular, from this batch of adverts was the body shaming antics in the Walker's Crisps advert. It made me wonder if you still get kids nicknamed 'Tank' as there always seemed to be at least one in the area when I was a kid.

26/10/1985 - BBC1 - Saturday Superstore Clips



Saturday meant two things when I was a youngster: NO SCHOOL and SATURDAY MORNING CHILDREN'S TV! How could you possibly argue against either of those factors not being delightfully amazing? Anyway, I was cock a hoop to find this haul of Saturday Superstore clips (occasionally interrupted by some random recordings of adverts) harking back to October 1985.

There's plenty to enjoy here from the welcome reminder that Roy Castle was one of the nicest men on television through to forgotten rockers Made in England and, finally, the pop panel which features Delia Smith and Terry Nutkins debating the singles of the week with Elton John. Saturday morning children's TV was always a curious mish-mash of features and I think these clips sum it up perfectly.

03/12/1985 - BBC2 - Whistle Test (Top 40 and Nick Rhodes Interview)



Staying in late 1985, I also dug up a section of Whistle Test including a rundown of the Top 40 for that week with Richard Skinnerand, following this poptastic exploration of the public's buying habits, an interview with Nick Rhodes who is in the studio to promote his side project Arcadia.

12/05/1985 - BBC2 - Flower of the Month (Clematis) and Continuity



One of the most glorious aspects of archive TV is that everything is a lot calmer and slower. This may clash with our modern tastes for somewhat hyperactive production techniques, but isn't it a wonderful respite to slip into something more sedate every now and then? Geoffrey Smith's Flower of the Month is a fine example of television tranquility which can help you forget Brexit, Facebook and reality TV for 10 minutes of bliss.

16/07/1981 - BBC1 Continuity and News Headlines



Heading way back to the start of the 1980s, I turned up this marvellous clip which features Richard Baker (voice of not just Mary, Mungo and Midge but also Teddy Edward) presenting the news headlines. Following this brief dissection of the day's events, Baker gives way to Richie Benaud who's presenting cricket highlights from the third test between England and Australia. A test series better known as Botham's Ashes...

24/10/1983 - BBC2 - Riverside (Craig Charles clip)



If you want to know why I get up in the morning then finding clips such as this is a perfect example. An 18 year old Craig Charles - several years before Red Dwarf - popping up on BBC2's arts programme Riverside to beugile us with his street poetry. When I posted the clip on Twitter it caused a significant amount of interest due to, firstly, the affection with which the public have invested in Charles, but also the quality of his material here. I'd love to find more of his early TV work, several people have reminisced about his appearance on Pebble Mill at One, so I'll have to see what I can find...

So, another month of wonderful finds and, hopefully, not the last as I've still got a tonne of tapes to comb through and examine under the Curious British Telly microscope. And, if you've got any old tapes (the older, the better) then please get in touch as it would be magnificent to keep this pursuit going for as long as possible.

Friday's Five of the Best Archive TV Clips - Vol.2

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This week's selection of archive clips are a curious melange of televisual goodness and should herald the start of a fantastic weekend. Well, at the very least, you'll learn about outdated encryption methods and that's surely better than anything else you've got planned, right?

1. Scrambled Engineering Test - BBC - 1987



I recently found a BBC engineering test on a VHS tape and it was one of the strangest things I'd ever witnessed. They're not easy things to track down, but a few have turned up over the years such as this one which was, most likely, an early test for the BBC Select subscription service which would run between 1992 - 94.

The picture and sound is clearly scrambled and this is thanks to the Discret 12 scrambling method mostly used in France. Footage featured in this engineering test includes Showaddywaddy performing on Top of the Pops, Gardener's World and the 1974 FA Cup Final between Liverpool and Newcastle.

Just imagine finding this on your screen early in the morning. A true rarity of British television and an intriguing look at the initial steps taken towards launching the BBC's ill fated subscription service.

2. World of Sport (Wrestling) - ITV - 1980



British wrestling has recently returned to ITV's screens for the first time in 30 years, but here's a look at what was going on back in 1980 to celebrate 25 years of wrestling on ITV. Dickie Davies presents an opening link from the World of Sport studios (complete with women on typewriters in the background) before handing over to Kent Walton at ringside. And, yes, Young David from Warrington would later go on to become Davey Boy Smith aka The British Bulldog. His son, of course, stars in the newly established World of Sport wrestling federation.

3. BBC1 Junction - 1975



This BBC1 junction features plenty of archive gems and starts with a slide promoting the new series of Roy Castle Beats Time (nope, I'd never heard of it either) before the really exciting footage makes its way into our eyestalks. And that footage is a trailer for a forthcoming episode of Play Away featuring a number of stills from the episode, so, yes, there's plenty of Brian Cant to marvel at. Following this, there's an incomplete edition of John Craven's Newsround to truly put the cherry on top of the childhood nostalgia cake.

4. World Cup (England vs Argentina Pre Match) - BBC1 - 1986



This year's World Cup has been and gone, but it will always be in our memories as will this infamous World Cup match from Mexico '86. Not only did it feature the hand of God and one of the finest goals in football history, but the BBC coverage was stellar. From the sublime opening titles through to the in-studio team of Des Lynam, Emlyn Hughes and Terry Venables it's an amazing slice of retro football goodness. And I haven't even mentioned that Bobby Charlton is reporting from in the stadium.

Apologies that you can't watch this video directly on here, but that's down to the video owner's settings. You can click the 'Watch this video on YouTube' link to watch it on YouTube.

5. Saturday Live Intro (Chris Barrie) - Channel 4



Not entirely sure if this is from 1986 or 87, but I am certain that Chris Barrie is excellent in it. It's the intro from an episode of Saturday Live and after mucking around outside the studio, he heads inside to perform some of his magnificent impressions. People say that Coogan is an outstanding impressionist, but Barrie is easily just as good.

Missing Believed Wiped: 30 Years of Kaleidoscope

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Not only has it been 25 years since the BFI first launched their Missing Believed Wiped programme, but it has also been 30 years since the genesis of Kaleidoscope. Missing Believed Wiped, of course, is an endeavour that looks to rediscover television long lost from the archives and screen it in its full glory down at the BFI Southbank, London. One of the key contributors, over the years, to Missing Believed Wiped has been Kaleidoscope, a collection of archive enthusiasts headed by Chris Perry who all share a common love for British television.

And, to celebrate 30 years of Kaleidoscope, this coming Saturday sees Missing Believed Wiped hosting a special event to honour the efforts of Kal (as they're known to those in the know). Whilst the event will pay tribute to Kaleidoscope's previous finds which include episodes of The Likely Lads, The Avengers and Top of the Pops as well as an absolute wealth of continuity links, the main draw of the event will come in the form of new finds of long lost material previously labelled as missing believed wiped.


Of particular interest, not just culturally but in terms of eliciting a few belly laughs and a warm, nostalgic smile is the discovery of a Morecambe and Wise public information film from 1963 on the dangers of drink driving. When you realise that this will be the first public screening of the footage in 55 years, you begin to get a sense of the importance behind Kaleidoscope's work. Eric Morecambe's son Gary didn't even realise it existed, but now it will be zealously preserved to provide a firm link to Britain's cultural past.


Also being aired at the event will be an early edition of Ivor the Engine from 1963 that was rescued from, of all places, a pig shed on creator Peter Firmin's farm. No doubt Firmin, who recently passed away, will be looking down from Television Heaven and smiling sagely as new life is breathed into his timeless take on children's TV. Sticking with children's TV, a previously lost episode of Pipkins - a show seriously blighted by poor archiving - from 1980 entitled Snapshots will be aired. And to make the screening a little more special, Hartley Hare - aided and abetted by his handler Nigel Plaskitt - will be introducing this episode of Pipkins.

Kaleidoscope, as you can imagine, is a bastion that Curious British Telly is keen to be associated with due to our dedication towards archive TV. There's a passion at play which is unmatched across most independent archives and they genuinely strive towards an ethos of preservation which is incredibly wide reaching. Thanks to my ardent approach to going through mountains of old VHS tapes, I've managed to find a few offerings of missing TV and Kaleidoscope have always been interested in adding them to their archive where major broadcasters may pass due to the footage's relative insignificance.

Missing Believed Wiped: Kaleidoscope Special takes place on Saturday 11th August across two sessions and, at present, tickets are still available for both sessions.

Nightcleaner

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Ever wondered who keeps the streets clean for our highly polished shoes first thing in the morning? Probably not as it's one of those things we take for granted. However, beavering away throughout the night - in major cities at least - and into the wee hours are an army of late night street cleaners. And Horace Stockford is one of the finest examples of what it means to be a Nightcleaner.



Nightcleaner was a short film directed by David Pearson and first aired on 12th January 1982 on BBC2 at 8.50pm. The ten minute film was soundtracked by the gentle tinkle of Ian Waring-Green's piano work and filming took place on location around Shepherd's Bush. The film received three repeat airings in 1983, 89 and 91 before being confined to a shelf somewhere deep within the BBC's archives.

Like so many of my fortuitous finds, Nightcleaner was lurking at the start of a VHS tape and clearly had Curious British Telly encoded into its DNA. And, at 10 minutes long, it offered a nostalgic oddity which wouldn't impinge too much on my real life activities (mainly searching for other prehistoric VHS tapes). Its short duration, however, doesn't preclude it from being packed full of engaging curiosity.

The short film centres around the night-time exploits of Horace Stockford, a street cleaner who spends his evenings sweeping and shovelling the muck off the streets of West London. Horace's work takes place against a backdrop of fast food restaurants, chatty restaurant owners (whose windows proudly sport Luncheon Voucher stickers) and, occasionally, violence and heartbreaking relationships.

London's night-time streets have always been full of violence as Horace is all too well aware of. Attacked by two men, one evening, Horace was left unable to speak and had to undertake extensive rehabilitation to recover, although he still struggles to write. More positively, Horace recounts the tale of a girl who he saw narrowly avoid getting run over on Wood Lane. Following this incident she would come and talk to him each evening. Then, one day, he mentioned he was married and never saw her again. That small, seemingly innocuous story, however, contains so much unseen and untold heartbreak that it may be one of the most tragic narratives I've heard in some time.

Despite his trials, tribulations and late nights, Horace remains resolutely upbeat and feels, to me, very much like a proto-Paddington Green character. It would have been nice to hear more about Horace's nocturnal explorations of London life, but this short film is all that exists of his life. Nonetheless, there's something deeply fascinating about Nightcleaner. From its gentle exterior through to it's slightly darker underbelly and, of course, the magnificent sights of early 80s London nightlife, Nightcleaner is a charming and multilayered watch.

Rare Chills: DVD Review

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There's nothing like a bit of horror to get the adrenaline flowing through your veins and blood pumping through your heart at a rapid pace and British TV has been more than happy to oblige over the decades. From Nigel Kneale's Beasts Seriesthrough to the BBC's legendary A Ghost Story For Christmas, television has endeavoured to put the willies up us with an eerie level of precision. Two servings of British TV horror that you may not be aware of, however, are The Fearmakers: The Shadow of Death and Supernatural: Mrs. Amworth.

In the case of The Shadow of Death, you can be excused as it's an unaired pilot that was, for many years, only available on a Philips 1500 tape which had seen better days. Thankfully, the son of one of the actors just happened to have a 16mm print of the production in much better condition. As for Mrs. Amworth it appears that this was due to be part of an anthology series entitled Classics Dark and Deadly, but only Mrs. Amworth was ever recorded and received just one airing in the mid 1970s.

Thankfully, both of these films are now being released on DVD as Rare Chills. The release is part of a new partnership between independent archive team Kaleidoscope and Simply Media. The DVD is available from 13th August 2018, but what actually lurks within?

The Fearmakers: The Shadow of Death


A fiendishly atmospheric tale, The Shadow of Death starts with Booth (Jack Woolgar), a broad shouldered, mutton-chopped man making his way towards a once grand, but now abandoned country manor in the dead of night. Guided only by torchlight, Booth inches carefully through the house until he finds what he's looking for: a beautiful diamond hidden beneath an old tile in a fireplace. Attempting to leave, Booth is driven back by a ferocious storm and decides to take shelter within the manor.


However, Booth's solitude is soon disturbed by the parka clad and mysterious Weaver (Barry Stokes) who claims he was out walking his dog when the storm whipped up. Booth, keen to dampen any suspicions, concocts a lie that his car has broken down, hence seeking shelter. Weaver wryly accepts this, but soon begins to question Booth in a manner which indicates he knows more about Booth than he initially let on. Tensions soon begin to rise uncomfortably, but lurking in the shadows is something much more unsettling that is intent on keeping the diamond for itself.


A good old fashioned ghost story, The Shadow of Death weaves a terrifying tale which benefits greatly from its production and cast. Sure, the editing is clearly made for nothing more than a pilot as the mismatched camera angles occasionally jar, but the dimly lit scenes and soundtrack combine together to leave the hairs on the back of your neck standing up as rigid as a cadaver.

Ominous percussion set against electronic squalls help to build a climatic sense of terror. And, given that this is a 16mm print that hasn't necessarily been stored correctly, the scratches and interference actually help add to the creepy terror and sense of long lost storytelling.

With the atmosphere helping to drive the chills forward, Woolgar and Stokes are provided with measured dialogue but their experience as fine character actors is perfectly pitched to underline the greed at the centre of the narrative. It's a fairly straightforward plot and the twists at play are far from exciting new devices, but, much like a professional athlete, the narrative breathes deeply and cleanly to pull the viewer into a disconcerting story.

And, when the ending comes, it's enough to cause you to never sleep without a torchlight by your bed again.

Supernatural: Mrs Amworth


Like any classic British horror from the 1970s, Mrs Amworth takes place against the backdrop of an idyllic British village (on this occasion in beautiful Wiltshire). And it's a village which until recently provided little more than a gentle, uneventful existence for its residents.

However, with the arrival of the aloof yet charming Mrs Amworth (Glynis Johns), matters have changed in a number of ways. Firstly, excitement levels have gone through the roof due to Amworth's regular soirees and, secondly, a mysterious epidemic has hit the village leaving several inhabitants drained of all energy.


Meanwhile, David (Pip Miller) has arrived in the village to spend part of the summer with his uncle Benson (Derek Francis) and it doesn't take long for Mrs Amworth to take what she passes off as a maternal instinct in the young man. However, David soon succumbs to the mystery illness which is currently being blamed on an invasion of gnats. Benson's friend Urcombe (John Phillips) has his suspicions about the mysterious Mrs Amworth, particularly when she reveals that she's related to Elizabeth Chaston, a 17th century inhabitant of the village who was accused of witchcraft during a similar plague.


Incredibly British, Mrs Amworth benefits greatly from the performance of Glynis Johns who manages to maintain a veneer of engaging charm, but with an undercurrent of sinister intentions swirling around her veins. She can also turn from one end of the emotional spectrum to the other on a sixpence and adds a nice dash of terrifying glamour to the production. Although unremarkable in their performances, Derek Francis and John Phillips are solid actors and they engender a nice double act in Mrs Amworth which, again, is incredibly British, just take a look at their final scene as they stroll jollily away.

Mrs Amworth is a nice addition to the weighty canon of vampire narratives in existence (currently estimated to be around three million) and it has the feel of a short Hammer feature, but with absolutely no gore (a bleeding finger aside). The plot breezes along rather nicely and there's little gristle to chew on as you work your way through the slightly less than 30 minute runtime. Perhaps the narrative could be slightly more complex and contain a few more twists, but fans of British of horror are unlikely to quibble over Mrs Amworth being available in the digital age.

Final Thoughts

It's a shame that neither The Fearmakers or Supernatural (originally known as Classics Dark and Deadly) didn't go on to produce full series. I was lucky enough to speak to the son of Jack Woolgar at a screening of The Shadow of Death last year and he told me that there's little detail as to why it was never commissioned. There's plenty in there to warrant more, but, alas, I shall never be a TV commissioner and the time has long since passed to put the series into production.

And the same goes for Mrs Amworth, it may be a little hokey but there's always an interest in horror that would have guaranteed a television audience keen on scares. Anthology series deliver plenty of variety and you only have to take a look at modern equivalents such as Inside No. 9 to see just how much interest and quality they can generate. Lost opportunities, perhaps, but at least they've been preserved to allow an analysis of where British horror was in the mid 1970s.

Curious British Telly readers can get a 10% discount on these releases by using the code CURIOUS10 when purchasing through Simply Media.

Friday's Five of the Best Archive TV Clips - Vol.3

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We've made it through another week and, at the end of this weekly rainbow, there's a pot of gold waiting for you. Unfortunately, it's not the type of gold which will make your fortune and keep you in Betamax tapes for the rest of your life, but it will stimulate your nostalgia gland and remind you that life used to be a little bit simpler. This week we take a look at gentle childhood romps, early examples of colour TV and a rather grand piece of music to get you feeling all patriotic.


Children's ITV & Ragdolly Anna - 1986



One of my favourite shows when I was a pipsqueak pre-schooler, Ragdolly Anna was based on the stories of Jean Kenward and ran for three series during the 1980s. This particular episode encapsulates everything that’s fantastic about the series. Starting off as a genteel day out, ‘Ragdolly Anna Gathers Primroses’ soon indulges in a spot of exceptionally mild jeopardy before the cutesy (but far from cloying) denouement arrives.

Also included in this clip is a helping of Children’s ITV continuity featuring Bernie Winters and Schnorbitz the dog. Now, as Children’s ITV wasn’t live at this point and programming was usually transmitted from whichever ITV region an individual programme was produced by, it made for a few production errors. There was often a delay in programmes starting and this is why Bernie Winters is left holding his skiing pose for slightly longer than is comfortable.

Channel TV Opening Routine – 1982



Despite being much closer to France than Britain, the Channel Islands are most definitely British and if proof were ever needed then Channel Television is all you need. A regional outpost of ITV, Channel Television provided unique programming in amongst the standard ITV network schedule. Launched in 1962, Channel Television (now known as ITV Channel Television) has been running for 50 years. And, to give you a taster, here’s a 1982 startup routine which welcomed viewers each morning.

The Moody Blues on Colour Me Pop – 1968



One of the earliest British TV shows to take that new-fangled colour television to its hearts was Colour Me Pop. Providing a showcase for the contemporary pop sounds of the day it featured a whole swathe of 1960s movers and shakers. Only a few episodes still exist in the BBC archives, but here’s a clip featuring The Moody Blues with a suitably psychedelic intro which makes full use of the new colour palette.

Thames Continuity - 15th February 1979



From the end of the 1970s comes this snippet of Thames continuity featuring a bearded David Hamilton introducing The Jim Davidson Show. Prior to this is a series of promos for upcoming shows featuring Jasper Carrott, Alan Bennett and Richard O'Sullivan as Dick Turpin. 

Channel Four Closedown December 1984



The final pick for this week may not offer much in terms of moving images, but the soundtrack more than makes up for it. By 1984, Channel Four had already dispensed with in-vision presenters taking late night viewers through the closedown and, instead, the order of the day was a few animated slides detailing the next day's schedules. The line up featured here is nice enough if nothing spectacular, but the use of the Four Score theme tune is out of this world.

A Further 42 Lesser Known British Children's TV Shows

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Last year, I wrote an article which looked at 42 lesser known British children's TV shows that, for one reason of another, failed to gain a mention in all those 'best ever children's TV' polls that occasionally get trotted out to state the obvious. It's proved fairly popular with my readers, so I decided to gather together a further 42 lesser known British children's TV shows to pore over and see if you remember. Or, at the very least, think "Oooh! I wouldn't mind watching that!"

So, uh, yeah, here's a lengthy look at a further 42 lesser known British children's TV shows:

1. The Giddy Game Show - ITV - 1985 to 1987


Young children love playing little games that stimulate their memory and visual skills, so The Giddy Game Show was perfectly placed to tap into this obsession. Created by Marian Lines and Joy Whitby, The Giddy Game Show aired on ITV over the course of fifty two episodes in the mid 1980s and was produced by Yorkshire Television.Episodes aired during the ITV lunchtime slot and also in the afternoon Children's ITV slot.


An animated affair, the series is presented by the titular Giddy (Redvers Kyle), a green, helmet clad alien who, in a state of almost delirious happiness, flies about on a red wand and helps to point out the correct (or occasionally incorrect) answers. Giddy isn't on his own of course and is joined in the observatory setting by the professor Gus (Richard Vernon) and Gorilla (Bernard Bresslaw).

The games are relatively simple affairs such as identifying which pantomime animal on a stage is making a particular noise e.g. a donkey braying. In amongst other games such as matching pictures of children in a playground, there are also The Thrilling Adventures of Princess Galaxzena. A green haired alien, Princess Galaxzena regularly finds herself embarking on quests to find four polychrome parrots on the planet Arborium or stifling the yawns of the dreaded Yawns of Snoronia.

2. Hattytown Tales - ITV - 1969 to 73


When you think about FilmFair you tend to associate it with The Wombles, Paddington and The Herbs, but rarely is Hattytown Tales high on the list of association. However, for 39 episodes, Hattytown Tales - written and narrated by Keith Chatfield - helped to further the reputation of FilmFair. Commissioned by Thames Television, Hattytown Tales ran for three series and its 10 minute episodes were directed by Ivor Wood.


The residents of Hattytown all live in hat based houses and are, themselves, actual hats albeit with arms legs and eyes. The characters personalities are reflected in their hat based designs so, for example, Sancho (a mexican) is anthropomorphised into a sombrero. Other residents of Hattytown includeBobby the Constable (in the shape of a police helmet) and, more confusingly, Mr Wimple who isn't a nun, but is, in fact, the mayor of Hattytown.


Episodes of Hattytown Tales find the inhabitants of Hattytown trying to remove nesting birds from Sancho's car, worrying far too much about the post being late and Sancho (along with his faithful donkey Carrots) is tasked with building a hot air balloon for the King of Hattytown.

3. The Hills of Heaven - BBC1 - 1978


Mucking around and causing trouble is part and parcel of being a child, but every now and then things can go awry. Thankfully, these incidents prove to be valuable life lessons, but, at the time, they can seem absolutely terrifying. It also makes for fantastic television, so misadventure plays a big part in children's television as seen in The Hills of Heaven.

Based on the John Farrimond novel of the same name, The Hills of Heaven was dramatised by BBC1 by Barry Collins and directed by Eric Davidson. The adaptation took place over three 30 minute episodes and aired on Wednesday evenings at 5.10pm. An omnibus edition of all three episodes later aired on BBC1 in 1980, but no further repeats have been forthcoming.

Taking place in the slag tips of Lancashire, The Hills of Heaven looks at the foolhardy antics of children Billy Walsh (David Haddow), Mick Mack (Malcolm Sproston) and Nancy Brindle (Katie Armstrong) who cause a series of coal wagons to derail in a coal yard. Out of the wreckage, however, comes an injured tramp (Ray Smith) who blackmails the children. The final episode finds Billy having to choose between protecting his own back or telling the truth and saving the tramp.

4. Chish ‘n’ Fips - ITV - 1984 to 1987


Gnomes look like friendly old sods sat on their toadstools and brandishing not just a fisherman's rod, but usually a big smile. What, though, are these stony souls thinking as we busy ourselves with our human lives and dramas? To get an insight into their thought process you should probably take a look at Chish 'n' Fips. David Wood’s gnome based children’s show Chish 'n' Fips originally started life as a theatrical production in Christmas 1980, before being produced for television by Central Television in the mid-1980s for two series.

Mr Fisher (Mike Grady) and Mr Wheeler (Tony Aitken) are two gnomes who live out the back of a fish and chip shop, so it shouldn’t take a great leap to see where the show’s title comes from. The two gnomes discuss the antics of the ‘big ones’ (humans) and are joined in the garden by their friends Bleep the robot, Henrietta the Tortoise (Jacqueline Clarke) and Chips the cat. Life for the gnomes adheres strictly to The Code of the Gnomes and songs feature heavily throughout the series.

5. Fred Basset - BBC1 - 1977


The adventures of Fred Basset have delighted his fans for well over fifty years, but not everyone knows that the long-eared canine once leapt off the pages of the Daily Mail and onto the screens on BBC1. First appearing in print in 1963, it took another 14 years for Fred, Jock and Yorky to make the transition to television. Fred Basset was produced by Bill Melendez Productions for BBC1 with 20 five-minute episodes going out at 5.35pm. The series was repeated up until 1981 on the BBC and, later, repeats were also broadcast on Channel 4.


If you've ever read any of the Fred Basset comic strips then it should come as no surprise that the Fred Basset tv series mirrors it very closely. Episodes find Fred being chased by giant cockerels before he himself sprouts wings and flies skyhigh (okay, that's from a dream sequence), Jock bravely, but foolishly attempts to take on the toughest dog on the block and Fifi the French poodle turns all the canine heads in town.

6. Rub-a-Dub-Dub - ITV - 1984


Not to be confused with the similarly titled Rub-a-Dub-Tub from the same channel and during the same era, Rub-a-Dub-Dub was produced by David Yates and Joe Wolf as a David Yates Production in association with Media Home Entertainment Inc. The recognisable and inimitable animation was provided by Peter Lang and Alan Rogers following their work on Pigeon Street. Episodes ran for five minutes each and went out at 4.15pm in the Children's ITV schedule.


At the very heart of Rub-a-Dub-Dub are nursery rhymes. Episodes start with Mother Goose finding a particular and, on the whole, unlikely item in a bath tub to help kick start the theme of the episode and these can include a horse, a watering can or even three pigs. Stories, songs and nursery rhymes then conspire to provide a brief burst of entertainment and rhyme, so expect to see the pigs playing and singing Pat-a-Cake and a cat and cow putting on a live rendition of Hey Diddle Diddle.

7. Roy Castle Beats Time - BBC1 - 1974 to 1975


One of the nicest men to ever grace British television, Roy Castle had a varied career on TV thanks to his myriad talents. Most people immediately reference Record Breakers when it comes to discussing Castle's legacy, but a year or two after that series started, Castle hosted a show which concentrated on his main love: music. Two series of Roy Castle Beats Time aired in the mid 1970s on BBC1 with the first series going out at 5.15pm on Wednesdays and the second series filling up the 4.50pm slot on Fridays. Neither series (which were both produced by Alan Russell) received a repeat in the schedules.

Roy Castle, of course, hosts Roy Castle Beats Time and uses it as a platform to interview a variety of musicians and allow them to demonstrate their musical talents. An accomplished musician himself, Castle meets such varied guests as The Royal Marines Corp of Drums, Acker Bilk and The Nolan Sisters. Castle also gets involved in the music and may just as easily find himself holding a baton and conducting three bands at once as he does dusting down his trumpet and playing along with the Abbotsfield School Jazz Orchestra.

8. C.A.B - ITV - 1986 to 1989


Who doesn't love a good mystery? That's right, everyone loves a mystery and firing off a million questions at once, so it remains a hugely engaging device in televisual drama. Particularly for inquisitive children. And, serving up plenty of mystery was C.A.B.

Despite running for 33 episodes over three series, C.A.B remains forgotten by most of those who were the right age to be tuning in. C.A.B was produced by Thames Television for ITV and made up part of the Children's ITV schedule, namely the 4.20pm slot. The first series was written by Denise Coffey, who was drafted in as a last minute emergency writer, with John Kershaw taking over script duties for series two and three.


Having been asked to look after Ma Mossop's junk shop, Colin Freshwater (Felipe Izquierdo) and his friend Franny (Louise Mason) embark on a series adventures a little more thrilling than selling old 78s. The first series finds Colin and Franny attempting to decipher a series of fiendish riddles and clues to secure the lost treasure of ancient tomb, the second series brings a spooky Egyptian mummy and the search for a secret weapon while the final series finds evil forces trying to capture the British throne.

And what does C.A.B stand for? Colin's Awfully Batty.

9. Heggerty Haggerty - ITV - 1983 to 1984


Harry Potter is just a tad popular with children and you could argue that this is down to J.K. Rowlings talent with the written word. Alternatively, you could say it's because children love magic in all its many forms. Anyway, years before Rowling started writing about that bespectabled wizard, children were being entertained by a witch in Heggerty Haggerty.

A production by Yorkshire Television, Heggerty Haggerty comprised 26 episodes during its two series run in the mid 1980s on ITV. Nigel Plaskitt - best known as the puppeteer behind Pipkins - acted as producer on the series with Alister Hallum taking hold of the director duties. Heggerty Haggerty was devised by Elizabeth Lindsay who dreamt up the idea whilst out walking in the New Forest and illustrations were provided by Peter Rush. The 10 minute episodes aired in both the lunchtime slot and the Children's ITV afternoon slot at 4pm.


Narrated and presented by George Cole, Heggerty Haggerty concerns the magical happenings of friendly witch Heggerty Haggerty's life. As with all good (or bad) witches, Heggerty Haggerty is joined in her adventures by the observant, yet anxious Black Cat and the mischievous Broomstick. Together, this triumvirate will find themselves confronted with giant geese, running shoes that have come to life and the meteorological terror of a magic whirlwind.

10. In the Town - BBC1 - 1973

Life experience is in short supply for preschoolers and any form of television that broadens their knowledge of the wider world can only be a good thing. The world, after all, is a varied place and very young children are still getting to grips with it so shows such as In the Town are invaluable in providing them with a little more knowledge. There was only one series of In the Town produced and this consisted of seven 15-minute episodes which made up the early afternoon Watch with Mother slot. The series was repeated several times throughout the 1970s with the final transmission taking place in 1977. In the Town was directed by Peter Wiltshire and, thankfully, all the episodes still exist.

As you can guess by the title of the programme, In the Town is set within a town. However, there's a little more to it than that. Soundtracked by the narration of Gordon Rollings (voice of The Herbs), In the Town is a documentary series looking at the employees and industries of urban Britain. With only seven episodes produced it's a relatively short jaunt around the country, but there's time to meet Peter the policeman from Canterbury, the fishermen of Conway and the potteries of Stoke on Trent.

11. Pigsty - BBC1 - 1990 to 1991


You only have to take a cursory glance at this list of children's TV shows to understand that there are some unusual and lively ideas out there, but Pigsty may be one of the most downright absurd. Luckily, children love the absurd and the unusual, so Pigsty is well placed to, at the very least, tap into the imaginative capabilities of children.The brainchild of writer Paul Mendelson (So Haunt Me, My Hero), Pigsty ran for two series between 1990 - 1991 as part of the Children's BBC lineup on BBC. Episodes were 10 minutes long and aired in the 4.25pm slot on Mondays.


Pigsty finds Pinks (Tessa Crockett) and Troyboy (Richard Gauntlett) running a pizza cafe called Pigsty. Okay, it's not the greatest name for a food establishment, but it doesn't sound that unusual, does it? Well, no, it doesn't, until you realise that Pinks and Troyboy are anthropomorphic pigs and somehow manage to use a cash register and prepare food with their trotters. The Pigsty diner is set within Promo Park, a complex headed by secret mummy's boy M.T. (Mark Hadfield) and the bins out the back of Pigsty are frequently raided by Little Pig (Peter Mandell).

12. Fun Food Factory - ITV - 1977


You don't get faces and personalities like Nanette Newman on television anymore, especially children's television where contorting your smile into imposible proportions seems to be key to securing a presenting job. It's a shame as her wholesome, engaging and incredibly British charm is quite phenomenal and exhibit A for this case is Fun Food Factory.

LWT produced seven episodes of Fun Food Factory with the series going out on Saturday mornings at various times depending on the ITV region. Episodes, which ran to 30 minutes, were later repeated in 1978. The Fun Food Factory series was a direct spin-off from the book of the same name that Nanette Newman had released in December 1976 to help inspire children to get cooking in the kitchen with illustrations by Alan Cracknell. Fun Food Factory was produced by Geoffrey Hughes and directed by Paul Smith.


Having previously appeared in dramatic film roles including The Whisperers and The Raging Moon, Fun Food Factory finds Nanette Newman getting interested in the world of culinary delights with an emphasis on health. With a couple of young helpers in the kitchen - decorated with animations based on those by Alan Cracknell - Newman guides viewers through healthy recipes such as making wholemeal bread, homemade tomato sauce and beef cake. Celebrities make an appearance in the Fun Food Canteen, so you shouldn't be surprised to see Dickie Davies, Sally Thomsett or Alvin Stardust tucking into Newman's creations.

13. The Little Green Man - ITV - 1985


Running for 13 episodes in the 12pm slot on ITV, The Little Green Man was devised and written by Matthew Smith who, in somewhat of a curveball move, is now an authority figure on the assassination of JFK. The 10-minute episodes were produced by Central Television alongside Pentagon Motion Pictures. The series was repeated a couple of times in the latter half of the 1980s and associated merchandise followed in the form of annuals, books and even an ice lolly.


The Little Green Man is narrated by Jon Pertwee (who previously worked with Matthew Smith on an unrelated pilot) and features Sidney Keets (Skeets to his friends) meeting The Little Green Man (Greenie to his friends) one evening when Greenie lands his spaceship slap bang in the middle of Skeets' garden. Far from causing a global panic of alien invaders, Greenie's presence goes mostly unnoticed as Skeets is the only human able to see him. Together, Skeets and Greenie go on a series of adventures that find them going through the looking glass, building a sandcastle and meeting a duke.

14. Jennings at School - BBC1 - 1958


Mitch Mitchell may be most well known for keeping pace with Jimi Hendix as drummer in the Jimi Hendrix Experience, but his early dalliances with entertainment came in the late 1950s when he went by his real name of John Mitchell. An early role was as the titular hero in Jennings at School in 1958 which ran for 10 episodes in a Saturday 5.10pm slot. The series was based upon the Jennings novels written by Anthony Buckeridge. A further television adaptation of the books came in 1966 in the form of Jennings with David Schulten in the title role.


A kind and well meaning chap, Jennings (John Mitchell) attends Linbury Prep School where his impulsive nature tends to find him winding up in all manner of pickles and troubles. Scientific frogmen disrupt Jennings' chaotic running of the natural history club, Jennings finds himself having to entertain General Sir Melville Merridew (Norman Shelley) and there's also time for Jennings to uncover a genuine set of fake Roman remains. All of Jennings' shambolic antics take place much to the chagrin of his form master Mr Wilkins (Wilfred Babbage) although his housemaster Mr Carter (Geoffrey Wincott) is a little more patient.

15. The Small World of Samuel Tweet - BBC1 - 1974 to 1975


Written by Gary Knight and featuring Freddie Davies' creation of Samuel Tweet in the lead role, The Small World of Samuel Tweet ran for two series of six episodes on BBC1 in the mid 1970s in the tea-time slot. The episodes, which were twenty five minutes long, were never repeated. For many years, several of the episodes were missing believed lost, but, thankfully, these missing episodes were found in 2013 on a batch of ex-BBC viewing tapes.

The homburg clad, lisping Samuel Tweet (Freddie Davies) has found himself running a pet shop in the fictional village of Chumpton Green which is presided over by Lord Chumpton (Cardew Robinson). Being set in a pet shop the plots feature, as you can imagine, plenty of narratives thrusting animals to the fore. The first episode, for example, finds Lord Chumpton instructing Tweet to source animals for his safari, another episode presents Tweet with the challenge of training a police dog and Tweet even rushes to the rescue of a pussycat trapped high up in a barn.

16. The Brollys - BBC1 - 1990


Weather is very important to children. Sunshine means you can go out and play to your heart's content whereas rain means you'll probably be told to stay in to make sure your new shoes don't get ruined. Snow, of course, means you're likely to lose your tiny little minds. So, yeah, children certainly have an interest in metorological matters, so making a cartoon based around it in the form of The Brollys is surely a great idea.

Produced and directed by Trevor Bond for Weatherhouse Production, The Brollys was a solo outing whose 13 episodes took up residence in the Children's BBC schedule in the 3.50pm Thursday slot. David Shaw Parker provided all the vocals and narration featured in the series while the animation was completed by Thomas Barker. The Brollys was repeated fairly regularly in the lunchtime slots up until 1998 and was even broadcast as far away as Brazil.


Harry, a young lad with meteorological themed bed linen, is certainly obsessed with the weather and even has a weather house adorning the wall of his bedroom. One day, while peering exceptionally closely at the weather house, Harry finds his entire being drawn within the weather house. Inside, he meets the occupants, Mr and Mrs Brolly and a fluffy cloud who soon becomes Harry's best friend. Mr and Mrs Brolly, of course, design and craft the weather, so Harry soon gets caught up in the machinations of this and finds himself tackling the challenges of each weather system.

17. Galloping Galaxies - BBC1 - 1985 to 1986


Bob Block is perhaps best known for writing Rentaghost, Pardon my Genie and Grandad, but he also wrote two series of sci-fi sitcom Galloping Galaxies. Produced by Jeremy Swan, the two series (whose original title was World's Apart) ran for five episodes each on BBC1 as part of the Children's BBC lineup in the mid 1980s. The two series were later repeated in 1987 and 1988.


In the year 2487, Captain Pettifer (Robert Swales) helms the Voyager merchant spaceship along with Mr Morton (Paul Wilce) and Mr Webster (Nigel Cooke). Helping to navigate the ship and perform various computing tasks is SID (voiced by Kenneth Williams) the ship's computer whose initials stand for Super Intelligent Deducer. Floating through space can be a perilous affair and you'd be pushed to find more peril in the form of pirate chief Mick Murphy (Sean Caffrey/Niall Buggy) whose main lackeys are Robot 20 (Matthew Sim), Robot 7 (Michael Deeks) and Robot 35 (Julie Dawn Cole)

Accidentally beaming Miss Appleby (Priscilla Morgan) from the 20th Century on board the Voyager is the kind of calamitous undertaking that Pettifer and his crew encounter on a daily basis. The crew also find themselves having to avoid the stomping feet of the 50-foot high Tawlblyters, rescuing their time travel expert Dinwiddy Snurdle (James Bree) from the clutches of Mick Murphy and dealing with Superbeing (Melvyn Hayes), the greatest showoff in the galaxy.

18. Little Big Time - ITV - 1968 to 1974


Little Big Time was a Southern Television production which ran for six series and, initially, hoped to launch Freddie Garrity (he of Freddie and the Dreamers) into a new career as a television personality. A number of writers were involved with Little Big Time over the course of its run and these included Mike Hazlewood, Albert Hammond and David McKellar. Only one episode, from a domestic recording, is believed to exist with the rest of the series missing.


The original series, filmed in the Nuffield Theatre at Southampton University, of Little Big Time starts off very much as a variety show with guests including the ventriloquist John Bouchier and Charles Lewson, a man who spends his time digging through the British Museum for vintage song and dance routines. The second series, while still including variety acts such as Carl Ruger’s Chimps, also includes a panto segment entitled Oliver in the Overworld – the third series would be purely dedicated to the Overworld serial where Oliver has to be careful of the hungry drains. Later series also see the introduction of Freddie’s Joke Hall of Fame which features Tony Robinson in an early role.

19. Lay on Five - BBC1 - 1985 to 1986


21 episodes of Lay on Five were produced for BBC1 in the mid-1980s with the entire series being produced and directed by Christine Hewitt. The 15-minute episodes feature Floella Benjamin travelling around the country to meet youngsters to shake hands (or 'lay on five') with. There's a little more to Lay on Five than just shaking hands though. Donning a pair of flippers and a snorkel, Floella heads down to the Kingfisher Swimming Pool where there will also be a tale of dangerous pirates roaming the seas and down at the Westminster Sports Centre it's time for the "wriggle on your bottom" championships.

20. It's Your Word - BBC1 - 1971 to 1973

One of the lesser known children’s quiz shows, It’s Your Word consisted of 21 episodes over the course of three series in the early 1970s. Each series had a different presenter with Jonathan Dimbleby (1971), Ray Alan (1972) and, finally, John Craven (1973) taking charge of the show. The 30-minute episodes aired late on Monday afternoons and the first series was directed by Brian Hawkins with Cynthia Paul taking over the reins for the last two series. All episodes of It’s Your Word are currently missing believed wiped from the BBC archives.

It’s Your Word is a simple quiz show format which starts each series with eight regional teams vying to be crowned quiz champions. The rounds are a mixture of physical prowess and general knowledge, so, for example, contestants may find themselves trying to burst balloons whilst wearing boxing gloves one minute and, the next, taking part in an Olympic sports quiz with British hurdler David Hemery. The aim of each round was to collect letters which would eventually combine to form mystery words.

21. Gran - BBC1 - 1983


Airing in the lunchtime SeeSaw slot on BBC1, Gran was a 13 episode series with episodes running to five minutes and written by Joanne and Michael Cole. The stop-motion animation was provided by Ivor Wood of Woodland Animations who had previously animated Postman Pat and would later go on to produce Bertha and Charlie Chalk. Repeats of Gran continued until late 1989 when the series was retired to a televisual nursing home.


Gran (voiced by Patricia Hayes) may look like the quintessential British gran, but, although she does like to knit, she's also partial to digging for dinosaur bones, indulging in a spot of hang gliding and revving up a motorbike to get down the shops a little quicker. Gran, being a gran, must have a grandchild of sorts and this comes in the form of Jim (also Patricia Hayes) who isn't quite as foolhardy as his grandmother, but finds himself getting involved all the same.

22. Teetime and Claudia - ITV - 1982 to 1983


A production by Yorkshire Television, under the watch of producer Joy Whitby, Teetime and Claudia was an animated series which aired for two series in the early 1980s on ITV. Teetime and Claudia's 10-minute episodes aired, first, in the 12pm lunchtime slot and were repeated later on in the day in the late afternoon children's strand of programming. Writing the series was Simon Purcell whilst the animation was provided by Digby Turpin. Purcell and Turpin had previously worked alongside Joy Whitby on the children's show Little Blue.


Teetime (Gerry Cowan) and Claudia (Tessa Worsley) are, respectively, a cat and dog who live with their owner, Auntie. Teetime isn't the sharpest tack in the box, but he's a lovely canine and spends his days with Claudia who is a self professed clever cat. The world of Teetime and Claudia is seen through our furry friends eyes as they encounter goats, Teetime proves his obedience to Auntie and Christmas time brings a new coat for Teetime and a special bowl for Claudia.

23. The Satellite Game - Galaxy - 1990


You're almost certainly aware of Children's ITV's legendary series Knightmare, but what about its sister show The Satellite Game on BSB's short lived Galaxy Channel? Created by Broadsword and Tim Child (the team behind Knightmare), The Satellite Game ran for a single series of 38 episodes running for 25 minutes each within the magazine show Cool Cube. As with most BSB programming, the archive status is not entirely clear, but several episodes have leaked onto YouTube over the years.


In a format that echoes that of Knightmare, teams of three children take on the Enigma satellite with the aim of deactivating its antimatter core by traversing a series of computer generated, virtual reality tunnels and solving puzzles along the way. Progress is made by the children guiding the floating droid LARI (Lightly Armed Robotic Investigator) who is voiced by Knightmare regular David Learner. Advice and guidance is dispensed by Enigma's ship computer COCO (voiced by Freyja Westdal).

24. Striker - BBC1 - 1975 to 1976


Written by Kenneth Cope (yes, that's right, Hopkirk from Randall and Hopkirk: Deceased), Striker aired for two series in the mid-1970s on BBC1. Producing the series was Anna Home, one of the cornerstones of children's TV over several decades, and acting as director was Colin Cant. The first series ran for three 25-minute episodes with the second series enjoying an extended run of five episodes. Both series were combined into one and repeated in 1977.

The first series of Striker finds Ben Dyker (Kevin Moreton) moving to the village of Brenton and, after initially irritating the local children, soon finds his football skills securing a place in Brenton Boys Football Team who have an important cup game coming up. Unfortunately, Ben's father Mr Dyker (Geoff Hinsliff) is far from keen on his son playing for the local football team, so Ben needs to try and keep his sporting exploits under wraps.

Striker's second series finds the lads of Brenton Boys facing a number of challenges such as taking part in the cup final, getting their changing room in shape to avoid being booted out of the league and frantically searching for a new team member following a car accident.

25. Century Falls - BBC1 - 1993


These days, Russell T Davies is best known for writing Queer as Folk, Cucumber and Doctor Who, but during the 1980s up until the mid 1990s he was heavily involved in the world of children's television. One curiously forgotten show that Davies penned was Century Falls which was a six episode series that ran on the Children's BBC strand on BBC1 in 1993 in the 5.10pm slot. Episodes were repeated on the following Sunday at 10.30am with no further repeats airing. A DVD of the series was later released in 2006 following Davies' success with revitalising Doctor Who for the 21st century.


Tess Hunter (Catherine Sanderson) has arrived in the village of Century Falls with her mother Mrs Hunter (Heather Baskerville), but there's something highly unusual about the atmosphere in the village. Aside from Tess, the only other children present in the village are Ben Naismith (Simon Fenton) and his sister Carey (Emma Jane Lavin).

To make matters even more strange, Ben appears to have mysterious powers that his uncle Richard (Bernard Kay) and great uncle Josiah (Robert James) are keen to harness. Digging deeper into the village's history, Tess discovers that an occult ceremony performed 40 years previously resulted in a great tragedy. Even more troubling, however, is the realisation that Richard and Josiah Naismith are looking to repeat it.

26. PC Pinkerton - BBC1 - 1988


Ian Lavender will, to millions upon millions, forever be associated with wet-behind-the-ears Private Pike in Dad's Army, but Lavender has actually put together a varied CV over the decades. One particular dalliance in children's TV was PC Pinkerton which, on the whole, raises nary a mention in the history of children's television.

PC Pinkerton first aired in the late afternoon strand of Children's BBC on BBC1 with a total of 13 episodes making up the single series. Devised and written by Geoffrey Bourne-Taylor and John Murphy Edwards, PC Pinkerton was produced by Trevor Bond Associates.The 15-minute episodes were repeated several times up until 1993.


Based in the village of Cleybourne, PC Pinkerton (Ian Lavender) finds himself tackling what passes as crime in the incredibly sleepy and peaceful surroundings. Therefore, rather than preventing heists at the local Post Office, Pinkerton is more likely to find himself battling against the rain whilst out on his bike, searching for a lost child on the day of the all important school play and absolute terror comes to Cleybourne when Dai the milkman is late. Pinkerton, of course, isn't the only member of the Cleybourne force and is joined by Sergeant Walker and Inspector Bell to help keep the village ticking over nicely.

27. Tales from the Poop Deck - ITV - 1992


Children's TV can certainly be accused of demonstrating some stupendously bad acting, but occasionally there are some standout performers who bring a touch of quality to a production. And, sometimes, you'll find a children's show which is packed full of fantastic performers such as Tales from the Poop Deck. Written by Lenny Barker and Vicky Stepney, Tales from the Poop Deck was a Talkback production for Central Television with episodes going out as part of Children's ITV. An early evening repeat of the series aired on Channel 4 several weeks after the ITV broadcast.


Captain Henry Stallion (Nicholas Pritchard) is in charge of the HMS Intrepid which is currently shored up in Kingston, Jamaica and packed full of gold. Keen on liberating the contents of the Intrepid is the pirate Connie Blackheart (Helen Atkinson Wood) and, once it's been captured, Stallion faces the unenviable task of informing his Uncle Dennis who is better known as Admiral De'Ath (Charles Gray). Meanwhile, raising questions about the ethics behind the slave trade is the enigmatic Joe (Norman Beaton) and popping up in smaller roles are Scurvy (Dudley Sutton), Father O'Toole O'Toole (Mel Smith) whilst Griff Rhys Jones narrates the whole affair.

28. Ragtime - BBC1 - 1973 to 1975


If you want to create a good children's TV show for preschoolers then it's a seriously good idea to include stories, songs and puppets to capture the wayward attention of young minds. Play School was probably the best example of how this format could be phenomenally successful, but there were plenty of other shows adopting this model and one of the lesser known ones was Ragtime.

Written, produced and directed by Michael Cole, Ragtime aired in the Watch with Mother lunchtime slot and clocked up 26 episodes over its two series. Unfortunately, only eight of the episodes remain in the archives due to a purge of children's TV shows in the early 90s at the BBC.

Fronted by Maggie Henderson and Fred Harris, Ragtime also features a number of puppets who are housed within the green Ragtime bag and include Mr Porridge, Miss Sponge, Mrs Custard and Uncle Casserole. Together, the Ragtime team play with words and rhymes such as "There was once a jolly cobbler who loved wobbly jelly. As he cobbled he dreamed of gobbling wobbly jelly" and "There was once a snake who was as thin as a rake. The snake who was as thin as a rake loved cake".

29. Once Upon a Time - ITV - 1979 to 1982


When Peter Davison wasn't busy getting to grips with the duodenum of cows in All Creatures Great and Small or battling Terileptils in Doctor Who he was carving out a nice career for himself in children's TV. Not only did Davison compose and sing (along with his wife) the theme tune to Button Moon, but he also fronted the first series of Once Upon a Time. A Granada production for ITV, Once Upon a Time ran for four series with Mark Wynter taking Davison's place for series 2, 3 and 4.


Embracing storytelling and puppet work (provided by The Black Theatre of Prague), episodes of Once Upon a Time find the storyteller (Peter Davison / Mark Wynter) reading children's stories such as The Ugly Duckling, Dick Whittington and even original stories such as The Giant in his Cradle over a series of illustrations. An occasional break from the storytelling takes place for the storyteller to interact with the puppets before going back to finish the story off.

30. Sebastian the Incredible Drawing Dog - BBC1 - 1986


Just a few weeks before Michael Barrymore hit the big time with ITV's Strike it Lucky, hehad found himself starring in an altogether different show over on Children's BBC in Sebastian the Incredible Drawing Dog. Created and devised by cartoonist David Myers, Sebastian consisted of 13 episodes which married Myers love of art and fun. Sebastian, being a puppet, needed a human hand when it came to performing and this was duly provided by Richard Robinson who would later work on The Riddlers. The series was produced by Christopher Pilkington and a number of Sebastian repeats aired up until 1988.


Sebastian - breed unknown - is a brown, furry dog with a sense of sophistication you don't find in most canines. Intelligent and highly cultured, Sebastian enjoys listening to classical music and, in particular, creating fantastic artwork. He's joined, in his basement flat, by Michael (Michael Barrymore) who certainly fails to match him in the sophistication stakes. Bickering amongst themselves, a chance comment by Michael will usually lead to him dusting down the large and unusual storybook to tell a tale whilst Sebastian accompanies the narrative with illustrations. Tales featured include The Shyest Man in the World, Tall Hat Joe and The Barking Cat.

31. Bric-a-Brac - BBC1 - 1980 to 1982


There's a whole world of wonder to be found in Bric-a-Brac shops be it a pile of mysterious records containing sounds from the 1930s or even a dog eared copy of the Beano from 1938. Much more wonderful, of course, is the prospect of discovering Brian Cant and that's exactly what you could find in the early 1980s in the lunchtime SeeSaw strand on BBC1. A joint creation by Michael Cole and Nick Wilson, Bric-a-Brac ran for two linguistic obsessed series and a total of 13 episodes. Repeats of the series were frequent, but Bric-a-Brac has not been seen on British screens since 1989.


Bric-a-Brac finds the fairly absent minded shopkeeper (Brian Cant) embarking on an odyssey of alliteration using the objects of the shop to springboard onto tongue-twisting exercises. Each episode takes a particular letter of the alphabet and then runs with it. Arriving in the shop, the shopkeeper kicks off by regaling the viewer with a recent event where alliteration of the chosen letter features heavily. The shopkeeper then makes his way around the shop piling up items starting with said letter, so you soon have a bear wearing a bowler hat with bananas in its mouth. After these linguistic shenanigans the shopkeeper digs out an old windup toy which he leaves whirring across the screen as the credits roll.

32. Kathy's Quiz - ITV - 1976 to 1977


One of the best ways to get children involved with learning is to trick them into this academic task by incorporating some rhythm and rhyme. The inclusion of songs into children's TV has been a mainstay since the earliest days of the genre and one series which really understoon this was Kathy's Quiz. Produced by Granada, Kathy's Quiz ran for 32 episodes across its three series. The 10 minute episodes aired in the lunchtime ITV slot and were produced by Muriel Young.

The Kathy of Kathy's Quiz is, of course, Kathy Jones who is joined by her musical cohorts Lynn Garner and Noel Cameron against a painted backdrop of a cheerful landscape packed full of flowers and sunshine. This musical triumvirate regale viewers with a series of songs, but attached to these songs is Kathy's guessing game. Taking the first letter of each song helps the viewers to build a word to help foster an understanding of language and how words are constructed.

33. Sally and Jake - ITV - 1973 to 1974


Chorlton and the Wheelies, Dangermouse and Wind in the Willows are just a few of the massive successes produced by Cosgrove Hall Films, but before these successes, Brian Cosgrove and Mark Hall were known as Stop Frame Productions. Having found work creating animations to slot into Rainbow, Stop Frame soon found themselves offered the chance to turn one of these Rainbow interstitials into a standalone series in the form of Sally and Jake. Transmitted in the ITV lunchtime slot, Sally and Jake ran for two series and a total of 27 episodes.


Narrated by Mike Savage, Sally and Jake takes place in the village of Dimbledale where the siblings Sally and Jake live. Their parents run the local grocers shop and opposite Sally and Jake's house lives their grandmother who seems to constantly have a pie or cake on offer for the children. Village life is peaceful and idyllic, so Sally and Jake find themselves hosting a sports day, going bowling, visiting the fairground and mucking around with rollerskates.

34. Corners - BBC1 - 1987 to 1991


Children are an inquisitive bunch and, as any parent will attest, their curiosity knows no bounds and this leads to all manner of questions on how this crazy old world works. Television is fantastic for, at least temporarily, sating this appetite when it's done right and this is perfectly demonstrated by Corners. Despite its relative obscurity in the history of British children's TV, Corners managed to chalk up five series over the course of four years with its 15-minute episodes airing as part of the Children's BBC schedule.


Set in what can only be described as a late 1980s youth club-cum-office, Corners finds a series of presenters including Sophie Aldred, Stephen Johnson, Tracey Brabin, Simon Davies and Diane Louise Jordan tackling a procession of questions sent in by children. Areas of life and intrigue tackled include questions such as: Who invented badminton? Why do we yawn? Which country does the oldest teddy bear come from? The presenters (who vary according to which series you're watching) solve these queries through a mixture of in-studio experiments and even jaunts out on location to explain the answers. Also helping to back up the presenters is Jo Korna, a green puppet with a feathered hat and terrible pun for a name.

35. Playboard - BBC1 - 1976


Puppets are fairly ubiquitous in children's TV and I'm in no doubt that at least one of your most favourite children's shows of all times features a puppet somewhere. One set of puppets that seem to languish on the sidelines of people's memories, though, are the little guys and gals from Playboard. Starting off in a 9.30am Sunday slot, the 13 episodes of Playboard were produced by Michael Cole and later moved to the weekday Watch with Mother afternoon slot for their subsequent repeats. The puppetry was provided by the Playboard Puppet Theatre who had previously worked on Play School.

Set within the world of a circus, Playboard starts with Mo (a mole) and Hedge (a hedgehog) making their way towards the circus big top where they encounter the circus staff setting up for the day's performance. Snake charmers, jugglers and clowns then proceed to put on a performance of a fairy tale or traditional folk story for Mo and Hedge. Tales featured throughout the series include The Gingerbread Man, The Three Little Pigs and The Great Big Enormous Turnip. Christopher Lillicrap presents the programme and also pitches in with some songs to up the excitement levels.

36. Caterpillar Trail - BBC1 - 1985 to 1990


Back in 1985, the head of children's television at the BBC, Edward Barnes, had grown weary of opening up the afternoon strand of children's programming on BBC1 with a repeat of that day's Play School, so a swathe of new shows were commissioned to freshen things up. One of these was Caterpillar trail which ran for seven series through the second half of the 1980s.


Fronted by Stuart Bradley through the entirety of its run and a variety of presenters including Jessica Holm, Nick Davies and Chris Baines, Caterpillar Trail helps to explore the world of nature and wildlife. Helped by young pet owners and a cartoon caterpillar, the Caterpillar Trail team travel around the country and investigate trees being planted in Weymouth, watch sheepdogs being trained in Giggleswick and take a look at a city safari in London.

37. Alfonso Bonzo - BBC1 - 1990



With nothing but a few scant pennies to hand, swapping is an essential method of trade for children but it can be a highly dangerous and risky task if you're not careful. And, if you want proof of this danger, just take a look at Alfonso Bonzo. Scripted by Andrew Davies (who also wrote the 1986 novel it was based on), Alfonso Bonzo ran for six episodes on Children's BBC in a 4.30pm time slot. The series was only repeated once, in 1991, but a spin-off series entitled Billy Webb's Amazing Stories aired a year after Alfonso Bonzo went out.


Billy Webb (Scott Riley) is the premier swapper of Splott Street and is most likely to be found negotiating the exchange of his jumper for a pile of dusty old Elvis records. Naturally, giving up his clothes for slabs of vinyl drive his Mum (Susan Porrett) and dad (Brian Hall) round the bend, but this is all before the flamboyant Alfonso Bonzo (Alex Jennings) turns up on the scene.

An enigimatic Italian with a propensity for jaunty whistling, Alfonso gets Billy involved with some outlandish swaps which finds Billy landed with an Italian greyhound and even ending up, quite literally, on the telly. The whole serial is told in flashback from a hospital where Billy is nursing a broken leg alongside journalist Trevor Trotman (Mike Walling) who also has a broken leg.

38. The Silver Sword - BBC1 - 1957


The horror and devastation of the Second World War feels a remarkably long time ago now, but back in the late 1950s the physical and mental scars were still fresh in the memory hence narratives such as The Silver Sword. Based on the 1956 novel of the same name by Ian Serraillier, The Silver Sword was adapted for television by C.E. Webber and consisted of seven episodes which aired on Sunday evenings in late 1957. A repeat of the series came in 1958, whilst a completely new adaptation of the series aired on BBC1 in 1971.

Joseph Balicki (Barry Letts), headmaster of a school in Warsaw, is arrested by the Nazis following their invasion of Poland. Sent to a prison camp, Joseph is separated from his wife Magrit (Gwen Watford) who is later taken away by Nazi stormtroopers leaving their children homeless. Having escaped from prison and finding his family gone from Warsaw, he believes they have headed to Switzerland where Magrit has family, so makes his way there.

Siblings Ruth (Pat Pleasance) and Edek Balicki (Melvyn Hayes) eventually embark on a journey to Switzerland in order to reunited with their family. The Baliki children are also joined on their quest by the urchin Jan (Frazer Hines) who has found a paper knife in the ruins of the Baliki's house and is known as the silver sword.

39. Your Mother Wouldn't Like It - ITV - 1985 to 1988


An essential part of childhood is laughter and some of the most popular children's TV shows have been ones which have clutched comedy closely to their chest. And with Your Mother Wouldn't Like It, Central Television delivered a sketch show intent on delivering rapid fire laughs for children. Three series of seven episodes each aired on ITV in the 1980s with a cast comprised of members of the Central Junior Television Workshop. The series was, at the time, successful enough to win a BAFTA in 1987 for Best Children's Programme and a spin-off series Palace Hill ran from 1988 - 91, but no commercial release of either series has ever materialised.


The premise behind Your Mother Wouldn't Like It is that the crew of a television studio are broadcasting a series of sketches and parodies. This crew consists of the dopey Loaf (Ian Kirkby) who is at the beck and call of his boss Cans (Tom Anderson). A wide variety of parodies make up the sketches with Palace Hill clearly lampooning Grange Hill (and the Royal Family), Twee-Manis a cheap and cheerful take on He-Man albeit with a coward as the star whilst Wogan and Challenge Anneka are both held up to a brutal satire. Interrupting the action every now and then is the puppet worm known as Tapeworm who's got a rather foul mouth and respect for absolutely no one.

40. Aliens in the Family - BBC1 - 1987


Familial life is a difficult beast at the best of times, but when these are splintered by divorce then things become understandably harder than ever. However, when you chuck an alien into the mix then you have to redefine exactly what a difficult family life consists of. Taking this premise and running with it, Aliens in the Family started life as a novel by Margaret Mahy before being dramatised for Children's BBC by Allan Baker in 1987. The six episode series aired in the 5.10pm slot and was repeated just once in 1989.


David (Rob Edwards) and Phillipa (Clare Clifford) have both come together following divorces from their original partners, but this new love is being slightly tested by the coming together of their respective children. David is bringing the tomboyish Jacqueline (Sophie Bold) who is better known as Jake while Phillipa is the proud mother of the image obsessed Dora (Claire Wilkie) and young, innocent Lewis (Sebastian Knapp). Dora, who is perhaps the only character in children's TV to venerate the use of bust enhancing cream, and Jake are polar opposites, so tensions between the two soon skyrocket.

Many miles above Earth, meanwhile, a Galgonquan spaceship is home to two alien siblings, Bond (Grant Thatcher) and Solita (Elizabeth Watkins). The pair are nervously awaiting the commencement of Bond's assessment whereby Solita must disguise herself on Earth and then be retrieved by Bond. Unfortunately, once Solita is disguised on Earth, it becomes apparent that it's not only Bond on her trail as a party of sinister alien Wirdegen are hunting down both Solita and Bond. Joining forces with the bickering Jake, Dora and Lewis, Bond attempts to find Solita and avoid being turned inside out by the Wirdegen.

41. Bright's Boffins - ITV - 1970 to 1972


Every child wants to be, at some point, an inventor. It usually comes when they first experience Q in James Bond and marvel at his array of amazing gadgets. On the smaller screen, an equally remarkable take on inventing can be found in Bright's Boffins. A Television South production, three series of Bright's Boffins were produced with episodes being written by Keith Miles, David Goodwin and Dominic Roche. Almost all of Bright's Boffins is missing from the archives with only a couple of episodes known to still exist.


Bertram Bright (Alexander Doré) is a highly eccentric inventor in charge of a department for inventing inventions that is so discreet and inconspicuous that it's been forgotten about by its government overlords. One contact at Whitehall that Bright does manage to remain in touch with is the mysterious Sir Desmond Dark (George Wood) who despatches orders to Bright and his team. Bright's associates include his head of security Thumper (Denis Shaw), cook and scientist Molly McCrandle (Avril Angers) and Tippy the Tipster (Johnny Briggs).

The first series finds Bright and his team working from Halfwitt House and getting to grips with computers, jumping juice and a terrifying curse. The second series see Halfwitt House burning down, so Bright and his boffins must move their operations to Larst Halt which is a disused, haunted railway station in Great Wiffington. The final series sees another change of location for Bright and his cohorts as they move to an ancient farmhouse that is covered in cobwebs and contains the remains of someone's unfinished breakfast.

42. Moschops - ITV - 1983


Even if we didn't have CGI masterpieces such as Jurassic Park, Jurassic World et al, children would still be obsessed with dinosaurs due to their cool appearance and mammoth size. A good decade before Jurassic Park roared onto our screens, a much smaller scale look at more friendly dinosaurs was unfolding in Moschops. A FilmFair production for Central Television, 13 10-minute episodes of Moschops were produced and aired in the ITV lunchtime slot.


Narrated by Bernard Cribbins, Moschops centres upon the world of Moschops, a baseball cap wearing dinosaur who enjoys playing football (albeit with a rock) with his best friend Ally the Allosaurus. Ally's Uncle Rex isn't too keen on Ally's gentle ways and pops up to remind him that he needs to be fierce like a proper carnivore should be. Ruling the waves is the manic Mr Icthyosaurus who is keen on casting spells while the chronic amnesiac Grandpa Diplodocus attempts to dispense wisdom from his dusty brain.

So, that was a bit of a marathon read (and write for me), but which of these shows do you remember? Oh, and if you've got any episodes of the ones that are missing then please get in touch! Thanks!

The Gnomes of Dulwich

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The Gnomes of Dulwich was recently voted the 35th most wanted missing TV programme, but with the series not having been seen on our screens since 1970, it's fair to say that memories of the series are vague at best. It doesn't help that all six episodes are missing either. However, it's a show that generates a significant amount of curiosity thanks not only to the handful of publicity shots that survive, but also the talent involved in the series. Naturally, it's a show that's been on Curious British Telly's radar for some time, so I had to take a look at it.

Genre: Comedy
Channel: BBC2
Transmission: 12/05/1969 - 16/06/1969


Living in the front garden of two "human beans" at 25 Telegraph Road, Dulwich are three stone gnomes positioned around a pond. Big (Terry Scott) is a somewhat haughty gnome who believes he has a deep and rich understanding of the human beans' behaviour whilst Small (Hugh Lloyd), who proudly carries a frog, is a more friendly, yet naive gnome. Joining Big and Small is Old (John Clive), a much older gnome who is rather sleepy, but retains a keen eye for the ladies.


Whilst a fair amount of Big, Small and Old's day is spent debating and analysing why the humans spend Sundays washing their cars and their evenings partying, considerable time is also allocated towards discussing the plastic gnomes (made in China) who live next door.

The outgoing, wisecracking Plastic (Leon Thau) is their leader and is most frequently spotted with the two bubbly and touchy-feely female gnomes Dolly (Anne De Vigier) and Rita (Lynn Dalby). Whilst Small and Old are rather intrigued by their plastic neighbours, Big is resolutely against socialising with them. Although he does, temporarily at least, seem to permit their company when he becomes taken with a plastic mermaid they bring along to a party...

Together, the gnomes find themselves seeking advice over the ethics of holding a girl gnome in their arms from the wise Tope Gnome (John Laurie), ending up in a jumble sale alongside a bust of Napoleon (Jimmy Perry) and taking up residence in the garden at 10 Downing Street. Jeopardy also rears its ugly head when an identical version of Big turns up in the garden and there's also time for some small-scale war with Big crying "Once more into the breach, dear gnomes!"

Casting the Gnomes

Written by esteemed comedy writer Jimmy Perry (Dad's Army, It Ain't Half Hot Mum and Hi-de-Hi), six episodes of The Gnomes of Dulwich were produced with the initial pilot episode recorded in December 1968 and the following five episodes in Spring 1969. The series had originally started life as a sketch written by Perry, but head of BBC Comedy Michael Mills saw something in it and commissioned a full series.

The series, which was fully recorded and transmitted in colour, first aired in May 1969 on BBC2 in an 8.50pm Monday slot. Curiously, in the middle of the series, the cast appeared in an episode of Ray Alan's quiz show Give Me Your Word where they took on the cast of Not in Front of the Children in a battle of words and wit. The Gnomes of Dulwich received just one repeat airing in 1970 when it aired on BBC in a 10pm Monday slot. All episodes were later wiped from the BBC archives.


A unique element of The Gnomes of Dulwich was that it was one of the first British television shows to implement the then new technology of Colour Separation Overlay (CSO) or, to most laymen, bluescreen. The equipment required had recently been installed in Television Centre's studio 8 and this was where filming for The Gnomes of Dulwich took place. The introduction of CSO, which later went on to be extensively used in British television, proved to be of great interest with several BBC department heads requesting demonstrations of how the technology was used during the filming of The Gnomes of Dulwich.

Despite the revolutionary technology and the stellar cast, The Gnomes of Dulwich failed to truly ignite the imagination of the British public. An audience research report conducted by the BBC scored the final episode with an overall rating of 61 (as a benchmark, episodes of Fawlty Towers achieve scores of 80+) and a muted response from the viewers.

The overall impression of the series was that it was childish, contained too many smutty jokes and, most frankly, one viewer described it as "absolute rubbish". Praise was reserved, however, for the performances of Terry Scott and Hugh Lloyd whilst the marked improvement in quality of the final episode - featuring much satire - indicated that a future series could prove more successful.

Tracking Down The Gnomes of Dulwich

As with so much missing television, there's a certain romance and tragedy attached to The Gnomes of Dulwich. Although, in retrospect, it's difficult to condemn broadcasters for not running themselves into bankruptcy by purchasing vast amounts of videotape and preserving every second of television, it's hugely disappointing that so much of our cultural heritage has been lost.

The Gnomes of Dulwich demonstrates this point perfectly due to the interest in the series and the people behind it. There have been murmurings that an audio recording of one episode exists, but if it does then no one's entirely sure where it is. Thankfully, the scripts for all six episodes have been preserved. And, a few months ago, I was lucky enough to read through the shooting scripts for the first two episodeswhile I was at the BBC Written Archives.

What struck me almost immediately was that these two episodes of The Gnomes of Dulwich could never be produced in the 21st century. While there's an interesting, and somewhat prescient, message regarding Little Englanders' opinions on immigration, it soon loses any satirical clout due to the cavalcade of sexist and racist jibes ingrained into the script.

The female gnomes, for example, offer very little aside from giving the male gnomes something to salivate over. In fact, in the pre-production stages, a member of the BBC expressed confusion as to what a Dolly gnome would consist of, but suspected that they would be "willfully erotic". And, yes, there are plenty of instances of caricatured Chinese language being played for laughs by the plastic gnomes. Therefore, you can expect to hear "frog" mispronounced as "flog" and Plastic commencing his dialogue with "Ah so!"


Moving all the outdated cultural missteps aside, though, what are the actual scripts like? After all, this is Jimmy Perry, a master of the comedy script. A man who understands the concept and build of a gag like precious few others. Unfortunately, Perry, just like the very best in any trade, can have an off day. And The Gnomes of Dulwich is one of Perry's rare off days.

The narratives are slight with the stakes barely being assembled let alone stacked up, so episodes soon get trapped down a cul-de-sac of mediocrity. There's also a glaring lack of twists with the path of each plot being so linear you can practically see the final scene from the start of the first scene. The second episode, for example, finds the gnomes debating what a party is and then throwing a party. And that's it. I can't embellish it any more than that. Well, aside from the fact that they play a game of hide and seek in the middle which appears to be for no other reason than to pad the running time out.

Little excitement in terms of the episodes, but what about laughs? Sadly, again, this is an area of The Gnomes of Dulwich which severely suffers from any sense of frequency or success. And, for a sitcom, that's flatline territory. I guess that some of the bickering between the gnomes has its moments, but far too often it resorts to smut such as Old and Small constantly alluding to the fact that they would like to get their end away. Naturally, Scott and Lloyd would have wrung some mileage out of this thanks to their chemistry and standalone skill, but, even if the script is peppered with directions such as BIG REACTS, it's just not enough.

I am, of course, judging The Gnomes of Dulwich by the scripts and purely the scripts. Perhaps, coupled with visuals and acting, the whole affair is much more enjoyable. Part of me, though, remembers all those evenings I've spent laughing like a crazed gibbon at the scripts for Fawlty Towers, Blackadder and Peep Show. That's what you call a good script, one that you can laugh at on paper. However, maybe this is a little unfair. Not only are they three of the best sitcoms ever, but I've seen them performed. I know the characters inside out, the delivery of each line is perfectly honed in my mind and I can appreciate everything thanks to the benefit of this knowledge.

Saying that, you don't have to be the chief commissioning editor of the BBC (is that a genuine role or have I just made it up?) to be able to pick out a half decent script. And, although it feels sacrilegious to say so, I genuinely feel as though Jimmy Perry has served up a half baked sitcom which fails to engage or even remotely entertain in The Gnomes of Dulwich.

Final Thoughts

Forgotten sitcoms from the 1960s are ten a penny, but their forgotten status doesn't necessarily reflect on their quality. The few remaining episodes of Beggar My Neighbour, for example, provide a funny satire on the sensibilities of British class, but isn't even in the top 100 wanted missing TV programmes. The Gnomes of Dulwich, however, despite its apparent lack of quality, retains a curious mystique about it. I suspect that the major contributing factor behind this curiosity is simply down to the bizarre concept on offer. After all, when else are you going to get the chance to watch a gnome based sitcom?

Despite my misgivings about the series, I genuinely hope that footage of The Gnomes of Dulwich surfaces one day. The preservation aspect aside, there's a genuine interest in the series for many reasons. It's intriguing to see how Terry Lloyd and Hugh Scott adjusted to life after Hugh and I, there's the early days of colour television to cherish and, of course, there's the introduction of CSO, without which, Doctor Who would have looked very different in the 1970s. In terms of a stand alone sitcom, however, I suspect that even with the series fully realised on screen, it would still fall well short of anyone's top 100 British sitcoms.

DVD Review: The Fishing Party

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A highly entertainingly analysis of pride, class and the effects of too much brown ale, The Fishing Party is a triumph of comedy and extreme Britishness. Written by the playwright Peter Terson, The Fishing Party aired as part of the legendary Play for Today anthology series which captivated audiences between 1970 to 84. Only broadcast twice in the early 1970s, The Fishing Party has finally made its way from the shelves of the BBC Archive into a fully fledged DVD release by Simply Media.

Tackling a Weekend Away

Art (Brian Glover), Ern (Ray Mort) and Abe (Douglas Livingston) have left behind their native Leeds, where they graft in the mines all week, to head to Whitby where they intend to indulge in a spot of cod fishing. Keen to avoid the rigours of staying down by the docks, where everyone reeks of fish, our triumvirate of incredible Yorkshire accents seek digs at Audrey (Jane Freeman) and her subservient husband Brian's (Frank Moorey) hotel. Well, Audrey may claim it's a hotel, but a much more accurate description would be a bed and breakfast which, on occasion, serves an evening meal.


Regardless of the accomodation's category, to the miners it's as if they've entered a new world of standards and social graces. And, at Audley's highly inflated rates of four guineas a head, it's the least they should expect. Art, who knows a thing or two about silver service, underlines the importance of showing goodwill to their hosts, so crates of brown ale are not to darken their rooms and mucking about is most certainly out of the question. Ern and Abe, despite wondering why James Bond can do what he wants, eventually agree to be on their best behaviour. After all, they've been blessed with freshly washed bedsheets.


These freshly washed bedsheets, however, are far from freshly washed and pinpoint the hypocrisy of Audrey's much vaunted standards. Not wanting to disrupt the laundry bill, Audrey recycles some used bedsheets for Art, Ern and Abe. After all, they won't be able to tell the difference and they're only going to spoil them with their drunken debauchery. Brian, meanwhile, is hopeful of tagging along on the miners' fishing trip after a kind invite, but Audrey shuts this down immediately. And, upon learning that they're willing to lend Brian a fishing rod, her suspicious heighten immediately and she almost trembles at the thought of how they can afford such follies.


Art, Ern and Abe, however, aren't here to spend all day basking in the grandeur of Audrey's abode, so they head out for a pre-fishing meal of fish and chips which Art claims will grease their stomach and prevent seasickness. Climbing aboard their fishing boat for the evening, the fishermen have nothing but hope in their hearts and a crate of brown ale in their hands. The motion of the cold, unforgiving North Sea, however, doesn't exactly make a good bedfellow for a belly full of brown ale, no matter how well it's greased.

And, suddenly, there appears to be a real danger that Audrey's bedsheets won't be so sparkly and clean in the morning...

Celebrating the Fishing Party

Although I've worked my way through plenty of editions of Play for Today over the last few years, The Fishing Party, was a new one on me, but with the presence of Brian Glover I could hardly resist sitting down with it.


Fiercely working class and blessed with a Yorkshire accent infused with all the authenticity of a pint of warm ale in a working man's club, Glover's reputation is ingrained into the heart of anyone who's ever claimed to know a thing or two about British culture. Art's character plays to all of Glover's strengths and weaves together a personality that is all honesty and blissful optimism. The smartest move on Peter Terson's part is to set him opposite the biting, unfounded judgements of Audrey. Best known as Ivy from Last of the Summer Wine (curiously, her husband from that series John Comer has a small role in this play), Audrey is a fierce, dominating character and a matriarchal character of epic proportions.


The Fishing Party is very much a narrative which looks at the contrast between Art and Audrey's outlooks on life. Consequently, the supporting characters fall to wayside somewhat with Ern and Abe acting as mere satellites for Art's insights and joie de vivre, while the henpecked Brian is reduced to a submissive stooge. Nonetheless, the cast all contribute strong performances and help to imbue the play with a buoyant feel which never finds time to drag the viewer down into thumb twiddling mundanity. And it's the myriad small details which truly strengthen The Fishing Party's appeal.

In one scene, Art reveals to Ern and Abe that the humble mussel is a highly powerful aphrodisiac which can set a man off. However, after much discussion, it's decided upon that only mussels and water (or lemonade at a push) will set you off and alcohol will only dull the impact. It's almost as if Peter Terson is simultaneously channeling Alan Bennett and Quentin Tarantino to deliver characters that are so intensely real that there's no need for HD television, this is as realistic as it gets. And, in a later scene which is farce at its very best, Art, Ern and Abe find themselves battling the ill effects of brown ale all in the same bed as they clutch a solitary chamberpot between them. It's hilarious and the epitome of gold plated comedy.


Talking of comedy, The Fishing Party isn't much of a gagfest but, in fact, it's much stronger than that. The laughs on offer are those that come directly from the characters (in the business these are known as the very best laughs) and this is directly fuelled by the wonderful dialogue provided by Peter Terson. The chemistry between Glover, Mort and Livingston is fantastic and exchanges zip between the three of them with the authenticity of three old friends on a weekend away. It's no surprise that these three actors appeared in two more of Terson's televisual plays (Shakespeare or Bust and Three for the Fancy).

The final laugh comes, of course, in the very final scene and its charmingly surreal nature perfectly reflects the appeal of the The Fishing Party. And, better yet, it even appears to temporarily melt the heart of Audrey.

Curious British Telly readers can get a 10% discount on The Fishing Party DVD by using the code CURIOUS10

Archive Tape Digging: September 2018

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It's been a little while since my last update on my exploration of forgotten TV recordings, but rest assured I've been busy delving through tape after tape. Well, at least, I've been doing this when I can as life is a busy old game and, by the end of the evening when the house is quiet and toddler free, I'm usually far too knackered to dig out all my equipment. However, it would be impossible for me to give up my most peculiar of hobbies, so it continues slowly but surely.

I'm still on the lookout for any old tapes you may have knocking about in cupboards, lofts and garages, so please, please get in touch. If they're from the 1980s then I'm going to be highly interested in them and if they're from the late 1970s (aka the earliest days of VHS) then I'll bite your hand off (or give you a shoulder massage at the very least). A couple of weeks ago I picked up a small collection of tapes and found recordings going back to 1981, so there's clearly still plenty out there.

Anyway, my plea for magnetic tape fulfilled for the month, here's what I've found this month.

24/02/1984 - ITV - TV-am



I've found plenty of little snippets of TV-am here and there in my time as a VHS archaeologist, but this is my first lengthy clip and, by jove, it's a good one. Starting off with an informal chat with a ridiculously handsome Christopher Reeve, the action soon shifts to an even bigger superstar: Roland Rat who is joined not just by Christopher Biggins, but also the latest contender for Roland Rat impressionist extraordinaire. Curiously, almost 95% of this clip is already on YouTube, but it appears to have been recorded directly off a TV screen using a mobile phone. Thankfully, my offering is a little easier to watch...

24/01/1981 - BBC1 - Rowan Atkinson on Parkinson



This was a very exciting find and, despite not being complete, contains a substantial chunk of a rare interview with the highly private Rowan Atkinson. Only a few years into his career here, Atkinson is softly spoken and doesn't reveal too much about himself aside from the usual biographical titbits, but it's still a fascinating peek into his life. And his entrance onto the stage is vintage Atkinson.

1981 (?) - Pebble Mill at One - BBC1



In a rare move, I've been unable to accurately date these clips from Pebble Mill at One, but they're from an episode dating from 1981. The footage features the end of an interview with artist Alwyn Crawshaw before moving onto the very exciting juggling act known as The Flying Karamazov Brothers. I don't get much of a chance to watch daytime television these days and, when I do, it's usually CBeebies, so I'm not sure if there's anything to rival Pebble Mill at One but it seems to be consistently fantastic. If you've got any more footage from it's rather long run then get in touch.

Whilst we're on the subject of my love for Pebble Mill at One, I'll tell you a little story. Way back in the mid 1980s, when I was little more than a toddler, I ABSOLUTELY HATEDPebble Mill at One. The reason for my ire wasn't anything personal against the programme or the presenters, but more the fact that I had to sit through it until the children's programmes came on at 1.45pm. To the three year old me it felt like the longest and most mindnumbing waste of my time. It's funny how our tastes change as I now can't get enough of it.

1984 - Channel 4 - The Tube (Neil Kinnock)



Neil Kinnock never did manage to display Thatcher, but he certainly gave it his best shot and, by the mid 1980s, was keen on securing the youth vote hence his appearance in Tracey Ullman's music video for her single My Guy and his subsequent cameo on The Tube with Jools Holland and Leslie Ash on presenting duties.

25/02/1984 - ITV - Data Run



Before the much more successful and well remembered Wide Awake Club, the Saturday children's section of TV-am was labelled as Data Run with it's wonderful theme tune written and performed by Yazoo. Little footage of Data Run is online, but I was lucky enough to unearth the last 20 minutes of one episode at the end of an old VHS tape. There's a quick look at the upcoming 1984 Toy Fair and a wonderful interview with Dave Hill and Noddy Holder who are dressed like absolute rockstars. Oh, and there's also an ad break which features Captain Sensible on fine form.

08/03/1981 - BBC1 - 16 Up



There's very little discussion about 16 Up online and no footage, so it's finds like these that I really love to dig up. A curious slice of yoof TV, 16 Up gathers together young people and gets them to discuss subjects that are weighing heavy on their young minds. In this particular edition, the subject is relationships and, in amongst the chat, there's time for interstitials featuring a young Linda Robson and poetry from John Cooper Clarke.

And that's it for this month, I hope you enjoyed the clips. More to come in the future. Hopefully...

Truly Maddy Deeply: A Kaleidoscope Event Celebrating Madeline Smith

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Today I ventured over to Birmingham for the latest Kaleidoscope event in order to indulge in my most favourite pastime: watching decades old telly which hasn't been aired in decades. Kaleidoscope hold these events every three months at Birmingham University and, as with all events that know what they're doing, each one has a theme. And today the theme was Madeline Smith, an actress who starred in several films (including the role of Roger Moore's first ever Bond girl) and numerous television series from the 1960s onwards.

Now, I have to come clean and admit that I had never heard of Madeline Smith previous to this event, but, you know, I can't know every single person involved in the history of British television. Yet. Anyway, whilst I was not aware of Madeline Smith, it appeared that there was an appreciation of her running in my blood. For, when I told my mother that I was going to be seeing Madeline Smith (yes, she was present at the event), my mother informed me that my Dad had been a big fan (as I imagine most Dads were) of Madeline Smith.

And, following today's sojourn to Birmingham, I'm now a fully paid up member of the Maddy Smith fan club. Yes, she's gorgeous, absolutely gorgeous in a way which epitomises 1960s/70s glamour and beauty, but she's also appeared in some fantastic slices of television. And she's got plenty of amazing stories to boot.

So, the actual event. First up was a 1968 ITV murder mystery show entitled Who-Dun-It which centred around occult practices and the death of a number of young school girls. The pacing was a little old fashioned and everyone spoke ridiculously well, so it's very much a product of its era but harmless enough and there were a few creepy scenes featuring the black arts. Next up was perhaps the most well received programme that was shown and that was Madly In Love, a 1972 play by Anglia which was transmitted as part of Sunday Night Theatre. 

Written by Paul Abelman, Madly in Love finds struggling poet Angus MacFee (Richard Beckinsale), who is currently employed as his doctor friend's general dogsbody, masquerading as a qualified doctor. His aim, of course, is to spend time with Mary Todd (Madeline Smith), a patient - female and 22, so right up his alley - who suffers from an obedience disorder whereby she obeys every command, no matter what it is, and then immediately forgets performing it

MacFee's aim is, well, to command her to sleep with him. And that's where it begins to clash with 21st sensibilities. Actually, you could say that the opening scenes which find MacFee dreaming about a neverending stream of suspender-clad women is where you realise it's a different age.

So, yes, the play is essentially about MacFee attempting to, in a nutshell, have non-consensual sex with Mary. Sure, there's a subplot about Mary's father Reginald (Michael Bates) attempting to cure his tick before he has to give a speech to a room full of executives, but that's very much in the background. Bates does, however, provide a masterclass in physical comedy towards the end of the play and, believe me, it's an absolute joy.

The objectivity of women in television, though, is so blatant that, with the #metoo movement in full swing, it's difficult to understand how these could be described as 'innocent times'. Mary is dressed exceptionally skimpy and there arethere are several reveals of her knickers which, again, are a little skimpy. Regardless of this, though, MacFee comes a cropper and his nefarious schemes backfire on him, so it's not a work of pure misogyny by any stretch of the imagination. And it's funny. I'd certainly watch it again thanks to the fantastic performances and because the dichotomy between Madly in Love and today's ethics is so intriguingly enormous.

Following Madly in Love, there was an episode of the Jeremy Beadle hosted invention-based BBC children's series Eureka! that Maddy played various roles in and also an episode of John Bird and John Fortune's In the Looking Glass. A highly curious show, In the Looking Glass was a series of surreal, musical adventures featuring Madeline Smith and Carl Davis embarking on adventures to the centre of the Earth and Atlantis. Featuring extensive use of bluescreen technology, In the Looking Glass also finds time to showcase a young Bob Hoskins as a policeman floating through space.

As I mentioned earlier, Maddy was attending the event and there was an hour set aside for Chris Perry of Kaleidoscope to chat to Maddy about her career. This provided a fascinating insight into Maddy's life and acted as a perfect excuse for her to air plenty of her anecdotes - my particular favourite involved Tom Baker forcing Eric Morecambe to stay up into the wee hours, while filming The Passionate Pilgrim, in order to hear more and more of Morecambe's extensive anecdotes.

Sadly, I had to head home after this section of the event, so I missed out on a few more programmes featuring Maddy but, hopefully, I'll get to acquaint myself with them one day.

Missing Believed Wiped: 25th Birthday Bonanza

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The BFI's regular showcase of 'previously missing, but recently found' British TV is held down at the Southbank next month and, to celebrate the event's 25th anniversary, they've managed to dig up some quite remarkable finds. Curious British Telly is always keen to get behind the BFI - without their Viewing Rooms service, this blog would be bereft of many an article - so it's with pleasure that I serve up this press release regarding next month's event:

MISSING BELIEVED WIPED 25TH BIRTHDAY BONANZA FEATURING NEW DOCTOR WHO ANIMATED MINI-EPISODE ‘LOST’ MORECAMBE AND WISE, CITIZEN JAMES,
BASIL BRUSH, VINCE HILL, THE KINKS

The BFI celebrates Missing Believed Wiped (MBW)’s 25th birthday on 15 December at BFI Southbank with a treasure of television riches. Reflecting on the initiative’s successes from the last 25 years in tracking down and screening rediscovered ‘lost’ television classics. The 15 December event will present newly discovered material including top-quality music, comedy and variety titles as well as welcome repeats for much-requested items taking place across two sessions.


We’re thrilled to announce the premiere of the much anticipated Doctor Who animated mini-episode based on the now lost first part of the 1968 Doctor Who story, 'The Wheel in Space', starring Patrick Troughton. We are delighted to be joined by a number of special guests including the Indiana Jones of lost archival television Philip Morris, who will be presenting some of the rare television gems he’s recently unearthed, including missing episodes of Morecambe and WiseSid James’s sitcom Citizen James and children’s television favourite Basil Brush including the only surviving live performance of The Kinks performing their hit Days. Pop star and songwriter Vince Hill looks back over his distinguished 60+ year career in music plus we also feature a rare performances by Aretha Franklin on British television.


The BFI National Archive has grown to become one of the largest and most important collections of British television in the world. This special anniversary edition of Missing Believed Wiped offers a chance for reflection, looking back at some of the success stories and achievements from the last 25 years, which havedeepened our understanding of British TV heritage.


Missing Believed Wiped has been spearheaded by Dick Fiddy, BFI Archive Television Programmer, commenting on this milestone he says, “Over the last 25 years our events have showcased some of the most important finds to have been located and returned to official archives. Tracking down these ‘lost’ treasures has been a joint effort between the BFI, many individuals and organisations. One of our most impressive discoveries in recent years consisted of 100 hours of very important missing single UK plays, including the 1965 version of Orwell’s 1984, and now held by the BFI National Archive. Such finds energise the quest and inspire us to continue the search to plug more gaps in the British television archives”

Session 1:
‘Music and More’ 15:15, NFT1, BFI Southbank

Celebrating his 60th year in showbizVince Hill, the multi-million selling recording artist and star of BBC TV and radio, best known for his 1960s mega-hit‘Edelweiss’, will introduce Vince Hill at The Talk of the Town (BBC 1969), the prime time BBC TV special filmed at the popular ‘Talk of the Town’ nightclub at London’s Hippodrome. Unseen for nearly 50 years since its original transmissionthe 16mm film came from Vince’s personal collection. He made the discovery when searching through metal canisters in his lock up. This special affords a snapshot of Vince Hill's live show of the time, when he was performing sell out shows up and down the UK, as well as starring in his own BBC Radio series, and appearing as a regular star at London's Palladium. Vince had already made his name with several big UK chart hits and Vince Hill at The Talk of the Town features the only surviving performance of ‘Edelweiss’ on BBC TV. Vince Hill kindly donated the 16mm film to the BFI National Archive.

On rediscovering the film and presenting it at BFI Southbank Vince Hill said, “I’m thrilled that my 1969 BBC TV special at the legendary Talk of the Town is to be screened at the BFI’s Missing Believed Wiped, performing at such an iconic venue was a career highlight. I was surprised to rediscover the original film earlier this year in my lock up. I feel immensely proud that a new audience will have a chance to see the film after all this time and that the BFI have taken the film into their prestigious archive for safe keeping.”

Alongside this we are thrilled to announce the premiere of a brand new 10 minute animated Doctor Who mini-episode based on the now lost first part of the1968 Doctor Who story, 'The Wheel in Space', starring Patrick Troughton as the Doctor and Frazer Hines as Jamie. This newly announced mini-episode, produced by Charles Norton and directed by Anne Marie Walsh who will introduce the BFI Southbank screening, will be included on a future BBC DVD release next year.

Back by popular demand, the infamous Stars and Garters segment that proved such a huge hit at our 2016 event. We also sneak in a very special – once missing – clip from It’s Lulu (BBC 1970), having previously screened the full episode at MBW in 2007, it is included here as a tribute to The Queen of Soul, Aretha Franklin singing ‘Spirit in the Dark’.

Session 2:
‘Philip Morris Presents’ 17:45, NFT1, BFI Southbank

Helping the BFI celebrate the Missing Believed Wiped’s special anniversary we’re delighted that the legendary CEO of Television International Enterprises Archives (TIEA), Philip Morris, is able to join us at BFI Southbank to introduce a specially selection of rediscovered classics drawn exclusively from the TIEA Archive holdings. An archive television archaeologist who has traveled the world to track down missing episodes, Philip’s never say die attitude has helped him over the years recover a wealth of ‘lost’ British Television, many found in small television stations in far flung places and return them to television archives in the UK. TIEA also assists television stations around the world to preserve their archives and digitise their back catalogue for future generations.

Among the clips and shows featured in this session are appearances from MBW favourites, Morecambe and Wise. In 2011 Morris discovered a badly deteriorated early missing episode from the first BBC series of The Morecambe and Wise show (1968) in Nigeria. Sadly unplayable, the BBC and researchers at Queen Mary University of London were able to recover some images through cutting edge lasers and X-Ray microtomography. There was existing evidence that two other shows from the first series had been sent to Sierra Leone as audition prints from London, however research found that all Sierra Leone Broadcasting Corporation (SLBC) holdings had been destroyed during the civil war in the 1980s and they were long thought lost. The ‘lost’ episode from the first BBC series of The Morecambe and Wise Show (Series 1, Episode 5, BBC TX 30/09/1968) which MBW are screening was recovered by Philip Morris, who found the two episodes in a derelict cinema in Sierra Leone.

The programme also features Basil Brush in the earliest surviving episode from the first series of The Basil Brush Show (Series 1, Episode 3, BBC TX 28/06/ 1968)Located in Nigeria a few years ago, the last five minutes, featuring a barnstorming performance from The Kinks, was missing until recently. Now restored and complete, this episode contains the only surviving live performance of ‘Days’, as The Kinks Top of The Pops performance had been wiped by the BBC. Missing Believed Wiped are also excited to screen a rare episode, ‘The Day Out’, from the third and final series of Citizen James (Series 3, Episode 6, BBC TX 05/10/1962).Sid James’s hilarious BBC sitcom ran from 1960-1962, following the exploits of Sid’s scheming charmer, guest starring Liz Fraser, the late Carry On actor who recently died in September, as the object of Sid’s wandering eye. This ‘lost’ episode was recovered from Monaco Television, in an old store room during a clear out of their premises.

On the news of this recent discovery of Citizen JamesReina James, Sid James’s daughter said, It’s wonderful that Missing Believed Wiped is giving audiences a chance to see Sid as Citizen James again in this ‘lost’ episode. And Liz Frazer too – they’re fantastic together. It’s a real treasure”

Tickets for both Missing Believed Wiped sessions on 15 December go on sale to BFI members on 6 November and the general public from 13 November, with joint ticket option available for both sessions.

The Forgotten World of British Children's TV - Vol. 1

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Following on from a couple articles I wrote about lesser known British children's TV (see them here and here), I've decided to do a few more regular articles on the subject. Whilst they won't be as huge as the previous articles, they will be marginally more bite-sized and, most importantly, they will be getting more and more obscure.

So, the general remit for inclusion in The Forgotten World of British Children's TV is that they don't appear in all those 'GREATEST CHILDREN'S PROGRAMMES EVER' type polls and that the mere mention of them in the staff room causes your colleagues to scratch their heads and quickly change the conversation towards all those urban myths about Captain Pugwash.

I suppose it may sound a little bit like an act of snobbery, but at the heart of these articles is a love of the curious, the forgotten and the unlucky. Not every TV show can become a hit, but it's a shame when they become forgotten. Hopefully, these articles will give these obscure shows a little more time in the limelight to shine. So, here comes the first batch...

Kizzy – BBC1 – 1976


Romany gypsy Kizzy (Vanessa Furst) spends her days travelling in a traditional, horse-drawn carriage with her ancient grandmother (Betty Hardy). However, after setting down camp in the orchard of Admiral Twiss (John Welsh), Kizzy’s grandmother decides that it’s time for her to retire from travelling. It’s not long until the local busybody Mrs Cuthbert (Angela Browne) is getting involved and, with social services now on the case, Kizzy is forced to attend the local school. Bullied by her highly prejudiced classmates, further trouble awaits Kizzy when her grandmother passes away. Worried that her horse Joe will be sent to the knackers yard, Kizzy also faces the prospect of being rehomed in a care home unless Admiral Twiss and the kindly Olivia (Anne Ridler) can come to the rescue.

An intriguing look at the rigours of prejudice and culture clashes, Kizzy features some harrowing scenes of bullying and one particularly nasty attack on Kizzy towards the end of the serial. Thankfully, there’s warmth at the heart of Kizzy and this is no small part due to the fine performance of Vanessa Furst and John Welsh’s engaging character. Based upon Rumer Godden’s 1972 novel The Diddakoi, Kizzy was adapted for the small screen by John Tully who had previously dramatised Thursday’s Child and Tom’s Midnight Garden (1974). A six episode serial, the 30-minute episodes of Kizzy first aired on BBC1 at 5.15pm on Wednesday evenings in early 1976. Kizzy received a solitary repeat on BBC1 in spring 1977.

Fanfare – ITV – 1977 to 1978


Briefly laying down their instruments, Essex pop-rock band Flintlock front Fanfare, a television show that casts its eye just beyond the poptastic top 40 to explore the wider world of music. Guests appearing on Fanfare include folk singer June Tabor, operatic baritone Thomas Allen, George Melly, classical pianist John Lill and the occasional pop group such as Manfred Mann and Rosetta Stone. Guests perform a musical number before sitting down with Flintlock for a quick chat about their career and the intricacies of their genre. Episodes are brought to a close with an ensemble piece featuring Flintlock and their guests performing a quick song as the credits roll.

Given the scope of the guests and the genres being taken on, Fanfare could easily be labelled as highbrow. However, dig a little deeper and you’ll discover that it’s a highly accessible music show with engaging guests that bring something new every week. Given their relative youth, they’re all around 20, Flintlock bring a certain naivety to Fanfare, but combined with their Essex boy charm it somehow works. Two series of Fanfare aired in the late 1970s with a total of 13 episodes being produced by Thames Television. The 25-minute episodes were broadcast on ITV in a 4.45pm timeslot and were never repeated.

Jigsaw – BBC1 – 1979 to 1984


Presented by Adrian Headley and Janet Ellis, Jigsaw is one big puzzle game for children with a little bit of letter learning stealthily slipped in. Adrian and Janet are also joined by the floating jigsaw piece known as Jigg (John Leeson) who encourages viewers to uncover the clues within Jigsaw. From the rather spacious Jigsaw studio, a bank of six blocks takes centre stage and, throughout the episode, letters are revealed that spell out a six letter word such as EXPAND or SPRING. These letters are gradually uncovered by Adrian and Janet through a series of sketches and activities that involve a rather long cast list.

Wilf Lunn is the resident inventor who designs contraptions such as a pneumatic hedgehog hammer. Only ever visible as a humongous, superimposed foot, Biggum is a Scottish giant who occasionally pops by the studio. Hector is a hedgehog from Yorkshire who claims to be invincible (due to the harsh Yorkshire weather toughening him up). Pterry is a Pterodactyl that talks in proverbs and was found by Janet at the Natural History Museum. A detective of some repute, Sid Sleuth (David Cleveland) attempts to solve crimes, but doesn’t always get the best of the villains and on one occasion has his moustache stolen. Dot (Julia Binstead), who later presents the series when Janet leaves, is a literal dot who zooms down from the corner of the screen into a humanoid form and controls all the electronics on the show.


And then there are the adventures of Noseybonk (Adrian Headley). Clad in a dinner suit and wearing a facemask with huge staring eyes and an even larger, phallic shaped nose, Noseybonk is truly one of a kind. His role in Jigsaw is not, as rumoured, to terrify viewers, but to provide clues as to the identity of one of that week’s letters. His jaunts are as surreal as his appearance and include growing nosegay flowers, dowsing for water so that he can fill up his flask and there’s even an impromptu appearance from a baby Noseybonk. Adding to the general air of avant-garde horror, Noseybonk’s activities are soundtracked by the curiously jaunty tones of A Hippo Called Hubert.


An intriguing collection of comedy, mime, bizarre interstitials featuring dolls coming to life and, of course, Noseybonk, it’s difficult not to be fascinated by Jigsaw. Janet Ellis, with a delicious slice of motherly charm, and Adrian Headley, who performs some quite fantastic mime, host the show with panache and the variety on offer means that becoming bored is never an option. The series was written and directed by Clive Doig who was also behind Beat the Teacher, Eureka and Puzzle Trail. 49 episodes of Jigsaw were produced over the course of six series and usually aired in a 4.40pm slot on BBC1. Episodes of the series were repeated up until 1985.

The Munch Bunch – ITV – 1980 to 1982


Lying discarded in the corner of Mr Veg’s groceries shop, the Munch Bunch have decided that it’s time to escape their mundane, pointless existence and seek something a little more satisfying. Making their escape through the cat flap, Spud, Olly Onion, Corny on the Cob, Sally Strawberry, Pedro Orange, Peanut and the rest of the Munch Bunch make their new home in and around a downtrodden garden shed and its surrounding clutter. And, within the Munch Bunch’s newly established village, a new school is founded to keep the young members of the Munch Bunch out of trouble, Scruff and Billy ruin a painting of Emma Apple and Olly Onion is constantly bursting into tears at how unfair life can be.

The Munch Bunch episodes are gentle, yet entertaining and there’s a nice emphasis on the importance of community contained within the narratives. It’s certainly a difficult show to forget, especially with Brian Wade’s harmony soaked theme tune and the inimitable looking puppets, but it’s strangely absent in the pantheon of classic children’s TV. Based on the children’s books written by Giles Reed (who was actually Denis Bond, Elizabeth and Barrie Henderson), The Munch Bunch was produced by Mary Turner and John Reid who also wrote a number of the stories alongside Denis Bond and Rosemary Kingsland. Over the course of four series, 52 10-minute episodes aired in the children’s lunchtime slot on ITV with episodes being repeated up until early 1983.

Maths-in-a-Box – BBC1 – 1980


Dressed like a medieval knight-cum-spaceman, Powka (Eugene Geasley), who is from the faraway planet Sooter, is in somewhat of a quandary. Powka’s mode of transport across the galaxies is a delightfully magic box which is so small you could never imagine anyone, aside from an ant, fitting within it. However, with a wave of his curious ‘trustock’ wand and a quick utterance of “Tiki tiki tox, into the box” he can shrink himself down into said box. This all sounds rather marvelous, but the thorn in Powka’s side is that the computer within his box has been damaged in a flood and lost all of its knowledge about maths and shapes.


Luckily, help is at hand in the form of two young Earth children called Tracy (Melissa Wilks) and Paul (Clark Flanagan). Setting out on a learning adventure that takes in maths, geometry and all round number fun, the triumvirate seek out all the relevant information required to restore Powka’s computer to its former glory. Investigating tasks such as making a cake with carefully weighed ingredients through to playing 10-pin bowling arcade games and cocking his eye towards the wonders of symmetry, Powka learns about Earth’s intriguing disciplines thanks to the teachings of Tracy and Paul.

Kick starting episodes with a wonderfully minimalist, synth theme tune (imagine The Buggles politely wrestling with Kraftwerk), Maths-in-a-Box is a charming look at maths for the under 8s. In terms of entertainment, it’s very successful thanks to the fact that it concentrates mostly on its three protagonists’ adventures rather than any weighty discussions on maths. Okay, as a BBC Schools production it should perhaps hammer the learning home a little harder, but there’s still enough to establish some basic concepts of maths and geometry. Written by Alex Glasgow, who also provided the voice for Powka’s computer, 10 15-minute episodes were produced as part of the BBC Schools schedule.  The series was repeated several times across BBC1 and BBC2 with the final repeats coming in 1984.

Let’s Read with Basil Brush – ITV – 1982 to 1984


From deep beneath the roots of a grand tree, within his subterranean den, Basil Brush is learning to read. Helping Basil to get to grips with the rudimental basics of reading is Mr Howard (Howard Williams) who comes loaded with a series of stories featuring Pepper the puppy. The adventures awaiting Pepper involve hijinks aboard a pirate ship, hiding from his mother at the park and terrifying beachgoers with a crab. Although he’s interminably interrupted by Basil’s gags and wisecracks, Mr Howard eventually finishes reading the story and then goes back over it in a read along fashion with words at the bottom of the screen. The final section features Basil and Mr Howard putting up three cards, each containing a phrase from the day’s story, and then opening these cards up to reveal a picture.

Let’s Read with Basil Brush was part of the ITV Schools strand of programming with its 10 minute episodes airing on Thursday mornings at 10.20am and 9.45am for series one and two respectively. The two series, both written by Barry Hill, were produced by Granada Television with a total of 28 episodes being broadcast and these were repeated up until summer 1985. A report by the Independent Broadcasting Authority found that infant school teachers were not entirely enamoured with the series and, given Basil’s constant interruptions of Mr Howard’s reading, this isn’t a complete surprise. Nonetheless, Let’s Read with Basil Brush features Basil at his best with the gags being machine gunned out, so, at the very least it creates a firm link between reading and fun.

Tickle on the Tum – ITV – 1984 to 1988


Tickle is a picturesque little village positioned on the banks of the River Tum and, as a result, the village is better known as Tickle-on-the-Tum. A crucial social hub for this serene village is the Central Store and Post Office which is run by Ralph McTell with help from Danusia Harwood (series 1 – 2) and Jacqueline Reddin (series 2 - 4). Each episode of Tickle on the Tum finds one of the local inhabitants coming into the shop to regale Ralph with a story from their day.

These local villagers include Dora the school bus driver (Penelope Keith), the eccentric Doctor Dimple (Bill Oddie), Bessie Bagwash the launderette owner (Mollie Sugden), Mike the Milkman (Kenny Lynch) and Willie Wok (Burt Kwouk). The story told in each episode is usually relatively amiable such as Dora’s school bus breaking down due to her forgetting to fill it up with petrol. Following the denouement of these tales there’s times for Ralph to dig into the post bag and unearth some jokes submitted by the viewers and then a closing song that recaps the main points of the episode’s story.


The final series of Tickle on the Tum finds a slight change in surroundings as, with Ralph having left, Jacqueline finds herself at the Tickle Broadcasting Corporation (TBC) studios alongside puppet cat Dexter (John Eccleston). Life at TBC is mostly the same as before with the villagers still paying visits to Jacqueline with Barney Bodger the builder (Tim Healy) coming to show off the scenery he is building for the Tickle Players’ latest production and Freddie Fireman (Graham Stark) pops by to discuss a new quiz show he’s created for TBC called Whose Hat?

A wonderfully British production that taps into a rather romantic view of an idealised British village, Tickle on the Tum is charm personified. Ralph Mctell’s laidback Croydon charm sits perfectly alongside a cast of villagers which is quite remarkable in its breadth of television talent. In fact, it’s fair to say that there’s very little to dislike about Tickle on the Tum. A Granada Television production, Tickle on the Tum ran for four series with a total of 118 10-minute episodes which aired in the lunchtime ITV slot and also in the later Children’s ITV schedule. Over the course of its run, Tickle on the Tum had a wide range of writers working on the series including Rick Vanes, Laura Beaumont, Chris Galer and Doris M. Day.

The Saturday Starship – ITV – 1984 to 1985


Hovering high above Earth is the Starship where Tommy Boyd and Bonnie Langford host The Saturday Starship. Despite their altitude, Boyd and Langford are joined by a never ending stream of guests such as Captain Sensible, Bob Geldof, Alvin Stardust and Wilf Lunn. The action isn’t just limited to the Starship as, down on Earth, Nigel Roberts is tasked with a number of assignments. These features include chatting with skiers at England’s longest ski slope and introducing a raucous live performance from Motörhead. In amongst the live sections there are clips from Disney films, Hannah Barbera cartoons and numerous music videos. And, with Bonnie Langford present, there are quick tutorials on how to perform dance moves from contemporary pop videos of the day.

A replacement for The Saturday Show, which itself was a replacement for TISWAS, The Saturday Starship follows the usual formula of Saturday morning children’s TV to a tee. Boyd, Langford and Roberts are all enthusiastic presenters but there’s nothing that necessarily stands out, although the starship interior is all types of retro cool. The Saturday Starship was produced by Central Television with a total of 21 editions (roughly 2 ½ hours each) going out between September 1984 and January 1985 on Saturday mornings.

Tune in next week for more of the same! And let me know what you can remember about these shows in the comments below!

DVD Review: Our Day Out

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Drawing on Willy Russell's time as both a teacher and a pupil, his 1977 BBC2 classic Our Day Out is a multilayered narrative that takes in the chaos of youthful exuberance, the limitations of the education system and the design for life that is doled out to the socially disadvantaged. Seeing as Our Day Out has recently been released on DVD by Simply Media it's time to take a closer look at what's bubbling beneath the surface of this TV play.

The School Trip

Heading up the Progress Class - a remedial group for illiterate pupils - Mrs Kay (Jean Heywood) has arranged a school trip that will take her young charges from the dirty, decaying and deprived streets of Liverpool to the relative tranquility of Conwy Castle in North Wales. However, her fellow teacher Mr Briggs (Alun Armstrong) is fearful that Mrs Kay's woolly-minded liberalism combined with the unruly Progress Class is a recipe for anti-establishment disaster and demands that the headmaster allows him to accompany them. The final adult pairing heading along on the day out are the young teachers Colin (Lennox Greaves) and Susan (Elizabeth Estensen) who both have to contend with the romantic attentions of their pupils.


As predicted by Mr Briggs, anarchy escalates rapidly throughout the trip. Two of Briggs' older pupils - who have tagged along on the trip despite having left the Progress Class - Digga (Joe Jennings) and Reilly (Stephen Caffrey) start smoking at the back of the coach within minutes of the coach's engine starting up and the first stop at a roadside cafe ends in disaster and a frenzy of sticky fingered thieving that renders the cafe's cash register seriously unwell. A brief stop at Colwyn Bay Zoo briefly brings hope to Mr Briggs that the pupils are capable of behaving as expected, but this is soon extinguished when an enraged zoo keeper boards the coach to retrieve a menagerie of stolen animals.


Following a severe dressing down where Mr Briggs tells the pupils that "Trust is something you people don't understand", the party reaches Conwy Castle and unravels even further into absolute chaos with the children running amok as Mrs Kay sits back with a contented smile on her face. Again, Briggs and Kay clash on their opinions of what the pupils need. Briggs is a fierce proponent of structure and respect, but Kay has the foresight to see that these socially disadvantaged children are destined for the same drudgery assigned to their parents and, as a result, no future. A good day out is, she argues, the least they deserve. In amongst the chaos, a young girl who dreams of nice things, Carol (Julie Jones) goes missing and is eventually found contemplating suicide by Briggs.


Talking Carol away from a cliff edge bordering crashing waves and jagged rocks, Briggs stern authority temporarily melts as he begins to understand why Kay wants the pupils to grasp a brief glimmer of happiness and escapism. Suggesting a trip to the local fairground before they head home, Briggs munches candyfloss with his pupils and gets into the spirit of chaos by leaping onto various fairground rides with the children. Arriving back in Liverpool, Kay suggests that the photos she's taken of Briggs' softer side will make a fine addition to the staff room wall. Briggs kindly offers to use his amateur photography skills to develop the film himself, but, as the play closes, he is seen unravelling the film and exposing it to the light to render it unsalvageable.

A Grand Day Out?

I went to a reasonably well behaved school, but I can't remember a single school trip that didn't result in at least one brief burst of chaos and madness. If the coach driver wasn't pulling over to rant explosively at us for disrespecting the school by constantly singing about him, then my peers were robbing the Little Chef of all their complimentary lollies. And this wonderfully, exuberant pandemonium is pushed to the forefront of Our Day Out to provide a pang of nostalgia for anyone who's ever been to school (that's all of you). However, Willy Russell is far too clever to make this play into little more than a smorgasbord of schoolchild anarchy.


Instead, Russell allows a blatant political and social message to manifest itself throughout the play. It's clear from the off that the future paths of the children in Our Day Out were laid long before they were born. Destined to follow their parents into a nicotine stained world of menial factory jobs down by the docks, there's no time for Digga and Reilly to take note of the beautiful architecture standing out like a sore thumb in their home town. Carol, however, is slightly younger and dreams of escaping the murky greys and browns of what she reluctantly calls home. Mrs Kay suggests to Carol that she can escape, but deep down the teacher knows that Carol too is resigned to her downbeat destiny.


And the conflict between Briggs and Kay over the children's future underlines the difficulties heaped upon education. If anything, Briggs is somewhat of an idealist who believes any child can be saved if they're guided by authority and, therefore, granted respect. It's a curious argument given the apoplectic tongue-lashings he's prone to administering, but beneath all the rage he has the children's best interests at heart. Kay, meanwhile, is much loved by her pupils, but remains a secret pessimist about their futures and, instead, is keen for them to enjoy themselves to the full on their day out. Again, she has their best interests in heart, but it's in sharp contrast to Briggs' more militant approach and demonstrates Russell's skill for intricately designed characters and narratives.


Neither approach, of course, is right or wrong. Education, on its own, is unable to provide a panacea for the ills of society and the many social injustices imposed upon it. A major social revolution would be required to provide any sense of equal footing and, 40 years on from Our Day Out, this seems as unlikely as ever with the levels of child poverty in Britain still reaching staggering levels. All these weighty thoughts are, naturally, far from the thoughts of the children in Our Day Out as they're keen to tap into nothing more than Kay's emphasis on carpe diem. Despite their exuberance, there's constantly a bittersweet undercurrent as we all know where these children are headed, but for the duration of Our Day Out it's difficult not to revel in their youthful ignorance.


The whole play is helped in communicating its social messages through a series of fantastic performances. Many of the children involved were picked from the local area and had no formal acting experience, but they're a step above the majority of child actors from the 1970s who it's fair to say were mostly wooden and stilted at the best of times. These naturalistic performances are married to the adult actors who barely need any introduction. Alun Armstrong and Jean Heywood, in particular, are phenomenal and deliver masterclasses in range. As a result, Our Day Out rattles along with an engaging pace which makes you wonder if it could have been expanded slightly further to help bring in Colin and Susan's subplots which, although perfectly resolved, deserve a little more meat.


Nonetheless, Our Day Out is a fantastic slice of social commentary which remains timeless even 40 years on. We can all associate with the sentiments of regret and a lack of opportunities to varying degrees and, much like Briggs' about turn at the end of the play, we understand (even if we don't approve of it) that the status quo is somewhat of an immovable object. A thought provoking piece of art, Our Day Out is now available from Simply Media and Curious British Telly readers can receive a 10% discount code by entering CURIOUS10 at the checkout.

The Forgotten World of British Children's TV - Vol. 2

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Due to having rather more time on my hands this weekend than I expected, I've decided to bring forwards the latest edition of The Forgotten World of British Children's TV. This particular installment features anthropomorphic cushions, tie-wearing crocodiles and Bill Oddie chewing bubblegum. And, as I'm sure you'll agree, they're all incredibly British, y'know, the good British, not that pandemonium fuelled Brexit take on Britishness that seems to be clogging up the headlines. So, let's forget the customs union (whatever that is) and slide back into simpler times...

Hickory House – ITV – 1973 to 1977


Down at Hickory House, where the doors are wonky but grinning and the exterior is flanked by giant fauna, a series of female inhabitants live amongst the curious puppet folk of the house. Throughout the course of the series, Amanda Barrie, Nicolette Chaffey, Louise Hall Taylor and Julie North all rub shoulders with Dusty Mop (keen on cleaning and asking questions) and the sleepy, cushion based Humphrey Cushion. Maintaining a presence throughout the run of Hickory House is Alan Rothwell who lives down the road and is the epitome of 70s fashion. Episodes of Hickory House find the inhabitants looking at particular themes such as waking up, caterpillars and birthdays through a mixture of songs, stories, games and animations.

Cast in the mould of countless other lunchtime children’s shows, Hickory House is a charming and eccentric take on the genre. Eschewing the bright surroundings of Rainbow, the aesthetics of Hickory House are incredibly 70s with the chintzy decor and Alan’s tight, brown trousers particularly standing out. With a busy mixture of puppets and different learning activities on offer, there’s plenty within Hickory House to abate even the most frantic attention span. The series was produced by Granada Television with 129 20-minute episodes airing on ITV over its five series run with repeats running until 1978. The puppets of Hickory House were created and operated by Barry Smith’s Theatre of Puppets.

Jumbo Spencer – BBC1 – 1976


Jumbo Spencer (Mark Weavers) is on a mission to improve the village of Shoredale and to underline this intent he’s formed the Jumbo Spencer Reform Group. A group of individuals that includes Jumbo and his mates Maggots (Natalie Boyce), Freckles (John Weavers) and Mike (Huw Higginson), the Jumbo Spencer Reform Group have big plans. Not only does Jumbo want to help bring Shoredale a little more recognition from the outside world, but he wants to use the villages new found ‘fame’ to help drive funds towards a new village hall. Unfortunately for Jumbo, life isn’t always plain sailing with his publicity campaigns landing him in trouble and then there’s the small matter of Bill Stiggins (Christopher Watts) and his gang who want to ruin Jumbo’s grand plan.

Jumbo Spencer was written by Helen Cresswell, a fantastic writer who had previously penned Lizzie Dripping and would later go on to write some of the most creepy children’s TV ever produced in the form of Moondial and The Demon Headmaster. Adapted from Cresswell’s 1963 children’s novel of the same name, Jumbo Spencer was made up of five 20-minute episodes which were directed by Jeremy Swan (Jackanory, Rentaghost, Grandad) and first aired on Monday evenings in a 5.20pm slot on BBC1. The series was only ever repeated once with this broadcast coming in August 1977 as part of the summer holiday morning schedule for children on BBC1.

Gammon and Spinach – ITV – 1977 to 1984


Introduced by a title sequence featuring a rather dandy frog hopping through the undergrowth to the strains of A Frog He Would A-Wooing Go, Gammon and Spinach brings the magic of storytelling to life with Valerie Pitts – and, for the third series, Roy Kinnear – reading picture books for small children. Set in amongst an idyllic countryside scene with a peaceful soundtrack of chattering birdsong, Gammon and Spinach features either one or two stories per episode and, if time permits at the end, a quick run through of the illustrations. Featured stories include Burglar Bill by Janet and Allan Ahlberg, Noisy Nora by Rosemary Wells and The Tiger Skin Rug.

Produced by Yorkshire Television, under the careful eyes of producers Joy Whitby and Anne Wood, Gammon and Spinach ran for seven series as part of the lunchtime ITV schedule, the later series also received a same-day repeat in the late afternoon Children’s ITV slot. The 10-minute episodes saw a number of directors come and go during the course of Gammon and Spinach’s lifespan and these included Yorkshire stalwart Alister Hallum (Behind the Bike Sheds, Dramarama, Rowan’s Report). Aside from the same-day repeats, there were no later repeats forthcoming for any of the episodes.

Stop-Go! – BBC1 - 1981 to 1983


Narrated by Lola Young and Ben Thomas for the first and second series respectively, Stop-Go! travels around the country and shadows a variety of people using transport and machinery. A visit to a fairground leads to a thorough examination of how the octopus ride is dismantled, packed up and then transported to a new pitch. Other episodes of Stop-Go! find country vets being followed on their rounds as they call upon sickly cows and horses while there’s also time to examine all the work involved in maintaining and running a train.

Starting and closing its episodes with an amiable jazz theme tune, Stop-Go! more than matches the jaunty feel of Michael Omer’s composition. There’s nothing radical within Stop-Go! but pre-schoolers aren’t exactly expecting to learn the finer points of the internal combustion engine. Instead there’s a gentle, breezy look at lots of whirring, swirling and sometimes moo-ing subjects. Two series of Stop-Go! aired in the early 1980s as part of the See Saw lunchtime programming for children on BBC1. A total of 14 10-minute episodes were produced by the BBC with both Michael Cole and Christine Hewitt acting as producers. Episodes of Stop-Go! were repeated fairly regularly on BBC1 up until 1987.

Dodger, Bonzo and the Rest – ITV – 1985 to 1986


Dodger (Lee Ross) and his sister Bonzo (Sophie McCullum / Jodie Gordon) are part of a foster family living in a London foster home run by Steph (Jennie Goossens) and Ronnie (Mark Fletcher). It’s a busy foster home, of course, with plenty of other children running wild including Elaine (Jenny Jay), Nikos (Zeph Ponos) and Charlene (Donna Levy).

An archetypal Artful Dodger, Dodger is always looking to make a bit of quick cash and tries his hands at dealing in antiques (thanks to Bonzo’s metal detecting efforts) and taking in ‘charitable’ donations of jumble to sell on. Keen to exploit every opportunity he can find, Dodger also embarks on a brief career as an escapologist complete with his own sack. Matters aren’t always light-hearted in the foster home, however, with Elaine having to confront her abusive father in an effort to make peace for her mother’s sake. And, in the final Christmas episode, Elaine has to come to the rescue of her friend (Kerryann White) who is trapped in an abusive relationship with Barry (Phil Daniels).

Balancing the comedic exploits of Dodger with the grittier aspects of life in care, Dodger, Bonzo and the Rest is a forgotten classic that never fails to shine and engage. The majority of the performances from the young starlets are fantastic with Lee Ross and Jenny Jay coming in for particular praise. Originally starting life as an episode of Dramarama in 1984, Dodger, Bonzo and the Rest ran for two six-episode series (and a 1986 Christmas special). The series was produced by Thames Television with the episodes transmitted as part of Children’s ITV at 4.45pm. Producing the scripts for Dodger, Bonzo and the Rest was Geoffrey Case who had previously written for Minder, The Hard Word and Nobody’s Hero.

The Bubblegum Brigade – ITV – 1989


William (Bill Oddie) is head of the Bubblegum Brigade, an organisation whose slogan is “Broken hearts mended while you wait, if you can wait long enough”. Working out of William’s old toy shop – The Emporium – the Bubblegum Brigade also consists of William’s children Jinx (Flora Fenton), Bunny (Michelle Moore), Fuddle (James Hyden) and Alph (Ian Kirkby). Auntie Doodah (Veronica Clifford), meanwhile, keeps a close and disapproving eye on the Bubblegum Brigade and William’s curious puppet/computer hybrid WALLI (William’s Absolutely Ludicrous Looking Invention) is capable of providing not just a fantastic range of facts, but also cups of tea.


Hearts can be broken (and mended) in a myriad of different ways, so the Bubblegum Brigade find that life deals them an equally diverse run of narratives. An enigmatic pop group is tracked down to their mansion when they cancel their first ever gig, a school bully is shown that his methods of intimidation are severely at odds with a civilised society and there’s also the small matter of managing the romantic aspirations of a school girl who has eyes for a children’s TV presenter.

You don’t need to have studied for a degree in quantum comedy to understand that Bill Oddie is blessed with a comic timing and brilliance that few can match. And The Bubblegum Brigade finds him on fine form even if the narratives aren’t quite as striking as his earlier work. Written by Oddie and his wife Laura Beaumont, The Bubblegum Brigade was produced by HTV for ITV. Starting life off as an episode of anthology series Dramarama in 1988, the full series of The Bubblegum Brigade consisted of six 25-minute episodes which were broadcast in the late afternoon Children’s ITV slot. Episodes were directed by Pennant Roberts (Doctor Who, The Snow Spider, Dramarama) and Alistair Clark (No 73, Grange Hill, Children’s Ward).

Round the Bend – ITV – 1989 to 1991


Deep down in the twisting, cavernous tunnels of the sewer system, there lies a dank, dark epicentre to all that is silly. And the man, or should I say aquatic reptile, in charge is Doc Croc, a shirt and tie wearing crocodile who acts as “The fun loving, friendly editor of Round the Bend, the world’s first electronic video comic”. Joining Doc Croc, and helping to produce Round the Bend, are three rats whose treatment at the vicious, lashing tail of Doc Croc severely stretches his definition of “fun loving” and “friendly”. Middle class rodent reporter Jemimah Wellington-Green is eternally failing in her quest to secure a celebrity exclusive, whilst the terminally cheerful ‘comedian’ Vaudeville Vince Vermin has more cringeworthy jokes than you can shake a stick at and, finally, in Luchetti Bruchetti, we have an Italian artist and the preferred whipping boy of Doc Croc.


Together, this disparate bunch of characters encounter all sorts of chaos and hijinks down in the sewer; Doc Croc runs for Parliament on behalf of The Greedy Party, Vince’s tiresome penpal Eric Postlethwaite pays a visit, the rats form mega-band The Rattles and there’s a time for a killer teddy to run amok (twice). And, being an electronic video comic, there are, of course, animations. These animations are vicious parodies of existing cartoons, so there’s time for Wee Man and the Masters of the Looniverse, Thunderpants and Transformaloids. Films, too, come in for a quick spot of ribbing in the form of Arizona Jones and the Scroll of Destiny whilst there’s a special spot reserved for claymation shorts such as B-movie spoofs False Teeth From Beyond the Stars, Attack of the Atomic Banana and, finally, False Teeth from Beyond the Stars meet Atombanana.

Anarchic and subversive, Round the Bend is a hilarious children’s TV show which sticks two fingers up to convention and leaves you wondering just how they got away with it. It’s the type of children’s TV you’re unlikely to find in the modern age and the world is a sadder place for it. Three series of Round the Bend aired on Children’s ITV between 1989 – 1991 with each series consisting of six 20-minute episodes. Round the Bend rose from the ashes of the equally subversive comic Oink! which had been created by Tony Husband, Patrick Gallagher and Mark Rodgers. With the help of Hat Trick Productions, this trio brokered a deal with Yorkshire Television to bring the spirit of Oink! to television with puppets created by the Spitting Image crew.

And that's it for another installment, but let me know what you can remember about these shows in the comments below. And if you can think of any further additions to feature in future editions then let me know as, at the very least, I'd be cock-a-hoop to hear about them.

The Boys of '66: England's Last Glory

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Today's blog is a guest piece by Jonathan Hayward

The Boys of '66: England’s Last Glory, made and broadcast by the now defunct ITV company TVS in 1986 was written and presented by Michael Parkinson. It was, as its title suggests, about England’s solitary World Cup triumph on native soil in 1966, but it doesn’t just tell the story of the victory. It also tells how all 11 winning players were doing 20 years on from the nation’s greatest sporting moment.


In the years since, three of the squad have died (Bobby Moore, Alan Ball, and Ray Wilson, earlier this year), but in these days of even ordinary players in the Premier League getting film star wages, it is quite astonishing the modest professions the Boys of ‘66 took up after their retirement from playing. Some like Ball, The Charlton Brothers, Nobby Stiles and Moore remained in the game, although Moore, for example, wasn’t manager of a big club like Chelsea or his beloved West Ham, but the rather more homely climes of Southend United. Martin Peters, meanwhile, became a mere insurance agent, Roger Hunt found himself running a haulage firm and Wilson paid his way as an undertaker.


It seems beyond belief, decades on, that our World Cup winners were not exactly reduced to penury, but had to seek out modest lower-middle class employment after such glories in ’66. Yet there is no sign of bitterness displayed from anyone from Gordon Banks to George Cohen (then having cancer treatment), showing them as decent, honourable and gracious individuals to a tee.


What should be taken into consideration is that the programme was made in an era where English football was at a virtual year zero after years of hooliganism, declining attendances, crumbling stadia, mediocre quality football and little or no investment in the game. The culmination of all this simmering trouble resulted in the Bradford fire and the Heysel disaster, the latter’s aftermath resulting in English teams being banned from playing in Europe for the rest of the decade. The Premier League and all its associated riches and status was still a long way off yet. Nonetheless, the atmosphere presented in The Boys of '66 is one of wistful nostalgia with a touch of melancholy, admirably served by an endearing musical score and Parkinson’s nonchalant narration.


Pleasant and knowledgeable anecdotes emanate from the players themselves, although the hat-trick hero, Geoff Hurst, only appears quite briefly towards the end, and the manager, Sir Alf Ramsey, declined to appear in the programme, typical of his famously reticent personality who preferred to just do his job with none of the irritations of PR. Ramsey, instead, is only seen in archival footage, much of which has barely, if ever, been seen in the media since, making it historically fascinating and worth watching. And, with its modest style far more appealing than the flashy, overblown extravaganzas seen from the likes of Sky Sports or the BBC, its grainy 16mm footage, much like the heart of the programme, harks back to a simpler time.


I remember watching it as a youth at the time and being impressed if not moved, but it proved singularly elusive in turning up on YouTube or other video sharing websites, destined to be a forgotten and unheralded gem until I found it on DailyMotion a few days back:

Part 1
Part 2
Part 3

So, for now, if you want to hear from a successful England World Cup team, The Boys of '66 remains a fascinating and intriguing watch. Will we ever see a similar documentary about England's second World Cup triumph? Only time will tell.

The Forgotten World of British Children's TV - Vol. 3

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You may be forgiven for thinking that all those half-remembered children's TV shows from your youth were destined to stay that way, but help is at hand. Delving deep into the archives and surveying as many old editions of the Radio Times and TV Times, I'm attempting to unearth these mostly forgotten shows to reignite your synapses and restore your memories. And, without further ado, it's time for the third serving of The Forgotten World of British Children's TV.

Noah and Nelly in Skylark – BBC1 - 1976


The traditional tale of Noah’s Ark features animals going in the ark two by two, but in Noah and Nelly in Skylark the animals find themselves going in two by one. Helmed by the red bearded Noah and his knitting obsessed wife Nelly, the Skylark is a floating ark which uses a giant pink balloon to drift across the skies. The animals on board are curious creatures with an optimistic head at one end and a more pessimistic head at the other end. Along with Humphrey the pigs, Ahmed the camels and George the rhinos, Noah and Nelly embark on a series of absurd adventures that feature them rescuing loose change from the clutches of wild gambling cards, trying to fly a knitted flag on the moon and visiting Cuckooland where all the cuckoos have migrated south for winter.

Presented by Roobarb Enterprises and produced by Bob Godfrey Films Ltd, Noah and Nelly is clearly indebted to the world of Roobarb with Richard Briers again providing the narration, although this time there are additional voices provided by Peter Hawkins. Certainly not as iconic as Roobarb due to the main characters struggling for a unique identity, Noah and Nelly does, however, have a curious collection of surreal adventures on its side. As with Roobarb, George Calveley created Noah and Nelly as well as writing all 29 five-minute episodes while Bob Godfrey acted as director. The episodes first aired in 1976 on BBC1 in a daily 5.35pm slot; repeats continued up until 1980 on BBC1.

King Cinder – BBC1 – 1977


Kerry (Peter Duncan) is on a quest to become a top speedway rider and genetics are certainly on his side as his father Richard Hutson (Tony Caunter) – known as King Cinder in his heyday – was a champion rider. Kerry’s current dream is to ride for his local speedway team The Barton Barons where his brother Trevor Hutson (Jeremy Arnold) is already finding fame. However, a dark cloud is racing onto the horizon in the form of Todd Edwards (Michael Hawkins), a wealthy, smooth talking crook who holds a long term grudge against Kerry’s father. With his faithful girlfriend Nikki (Lesley Manville) by his side, Kerry aims to risk everything to protect his family and get even with Edwards.

Featuring real life couple (at the time) Peter Duncan and Lesley Manville, who had met at the Italia Conti stage school five years previously, King Cinder was a BBC children’s drama written by John Foster. Part of a new wave of gritty British children’s dramas, King Cinder is to be commended for mixing blackmail, violence and kidnappings with teatime drama. The crime element of King Cinder, of course, should come as no surprise as Foster would go on to write for crime dramas Z Cars, Juliet Bravo and The Bill. Comprising six 25-minute episodes, King Cinder was broadcast in the BBC1 5.10pm slot of Wednesday evenings towards the end of 1977. A single repeat airing of the series came in the summer of 1979.

Daisy, Daisy – ITV – 1978


Alan (Alan Rothwell) and Jan (Jan Harvey) are the hosts of Daisy, Daisy, a series which takes a look at the wonderful world of mundane, everyday objects and the fun that you can have with them. Helping the human hosts are their two puppet friends Wriggler (a worm with technicolour hair) and Splodge (a typically slow snail). Casting their eye over a variety of objects such as brushes, mirrors, wheels and fruit and veg, the Daisy, Daisy team can, for example, find themselves fashioning a hobby horse out of an old brush for all manner of bristly fun. In amongst these activities, there’s time for a spot of blacklight puppetry, regular animations which feature Simple Simon and even a quick bit of rhyming magic.

Despite having all the requisite hallmarks in place to succeed as a helping of classic children’s TV, Daisy, Daisy never quite manages to marry its storytelling, activities, learning and puppets into something more substantial. Although it’s all harmless fun, it’s far from iconic and pales in comparison against contemporaries such as Rainbow and Hickory House. In total, 27 20-minute episodes of Daisy, Daisy went out daily in rather haphazard weekly blocks as part of the lunchtime children’s slot on ITV. Penning the scripts for Daisy, Daisy were Granada regulars Barry Hill (Coronation Street) and Anne Mountfield (Our Backyard). Episodes of Daisy, Daisy were repeated on ITV up until 1980.

Eureka - BBC2 - 1982 to 1986


Presented initially by Jeremy Beadle and later by Sarah Greene and Paul McDowell, Eureka looks at the history of inventions past and present. These inventions include calculators, the WC, teddy bears, aspirin and the cat’s eye. To help cement this learning there are a series of interstitial sketches featuring Madeline Smith, Mike Savage, Bernard Holley, Sylvester McCoy, Julia Binsted et al to provide a historical background along with a couple of giggles. And one episode even finds time to interview Clive Sinclair who reveals his plans for an exciting electric car…

Pulling off that rare trick of combining comedy with learning, Eureka has fun written through it like a stick of rock thanks to the fantastic cast at its disposal. Relatively early in the rather fresh-faced Jeremy Beadle's career (he also co-wrote the first series), it's also interesting, with hindsight to watch his early steps along with Sarah Greene's. Eureka was written, produced and directed by the multi-talented Clive Doig who also worked on Puzzle Trail, Jigsaw and The Phoenix and the Carpet. Episodes of Eureka first aired in an early evening BBC2 slot before being repeated on BBC1 in the late afternoon children's TV slot.

Tea Time Television / Scragtag and his Tea Time Telly – BBC1 – 1985 to 1986


Tea Time Television finds mangy, puppet cat Scragtag living in a chest of drawers situated out the back of a secondhand shop. Whilst digging through all the various wonders and junk of the yard, Scragtag discovers an old TV which transmits T.T.V, a curious collection of quizzicals, stories and cartoons. Stories featured include the illustrated adventures of Peregrine Piecrust and perhaps the most memorable cartoon is Mr Hiccup, a bizarre import featuring a man with chronic hiccups. It’s not a solo adventure for Scragtag, of course, as he’s joined by Tim, a gnome made of stone who is completely mute. Scragtag and his Tea Time Telly rejigs the format slightly and finds Scragtag separated from his beloved chest of drawers. An epic quest up and down the country ensues and gives Scragtag the opportunity to visit plenty of schools and tell corny jokes to the pupils.


Scragtag, himself, is a fantastic creation all packed full of attitude and low-rent aesthetics and, on the whole, his programmes are entertaining affairs with Peregrine Piecrust and Mr Hiccup providing a healthy dose of the surreal. The quizzes featured are, yes, rather mundane, but they're aimed at the lower end of the age spectrum, so demanding anything more taxing would be absurd. Scragtag was created by Marcus Kimber who had previously worked as a Punch and Judy man as well as designing many of the puppets seen in The Young Ones. Two series of Tea Time Television / Tea Time Telly were produced by Roy Milani between 1985 and 1986 with 41 20-minute episodes being produced. Both the first and second series opened up the late afternoon Children's BBC slot. Only Tea Time Telly was granted a repeat airing with this coming in mid-1988.

Pinny’s House – BBC1 – 1986


Pinny is small wooden doll, so small that she's comparable to a pin, hence the imaginative name. Her abode is a rather delicate china house which sits atop a shelf beside a model sailing ship. Manning the ship is Victor, a pin-sized sailor, who's found himself stranded on land, far away from the high seas. The dolls are regularly played with (and introduced to trouble) by their children owners Tom and Jo. Episodes find Pinny and Victor falling into a salad where they encounter a caterpillar amongst the lettuce leaves, Pinny has to chase spiders and beetles out of her house and Pinny even experiences the ignominy of being mistaken for a twig by an industrious, nest building bird.

The jeopardy facing Pinny within Pinny's House is a curious blend which, although incredibly slight, manages to conjure up narratives that are packed full of magic. Mirroring the giant world that young children also face, Pinny's House provides a relatable landscape for viewers and is backed by a fantastic folky/sea shanty soundtrack delivered by Welsh band Ar Log. Pinny’s House ran for a single series of 13 episodes which ran for five minutes each and was the final production by Smallfilms.. Written by Peter Firmin, co-founder of Smallfilms, the series initially aired as part of the Children’s BBC line up in a 3.55pm timeslot. Episodes were later repeated in morning and early afternoon timeslots up until 1993 when it received its final transmission.

Creepy Crawlies – ITV – 1987 to 1989


Down at the bottom of the garden, near the shed, is an old broken sundial which is home to a curious collection of insects and arachnids. Living on this ancient time telling device are Mr Harrison the snail, Lambeth the beetle, Ariadne the spider, Ladybird the ladybird, Ancient the caterpillar, Anorak the pillbug and Suppose the worm. When they’re not rallying round to free Ladybird from the sticky trappings of a jar of jam they can just as easily be found dealing with rigours of a garden that’s lost its grip or watching Suppose traverse the garden in his jumping suit.

A triumph of animation and intense charm, Creepy Crawlies is a trademark slice of stop-motion animation from Cosgrove Hall. Admittedly, it’s not quite as engaging as more legendary Cosgrove Hall productions such as Chorlton and the Wheelies or The Wind in the Willows, but it cleverly taps into that childhood fascination of all things creepy and disgusting. Three series of Creepy Crawlies were produced with a total of 52 10-minute episodes airing in the 4pm slot on Children’s ITV. All the episodes were written by Pete Reeves (Cockleshell Bay, Count Duckula, Bob the Builder) with Francis Vose and Brian Little sharing the directing honours.

And that's it for this particular edition of The Forgotten World of British Children's TV, but don't despair as I'll be back soon with more hazy memories.

The Forgotten World of British Children's TV - Vol. 4

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It doesn't seem long since the last edition of The Forgotten World of Britsh Children's TV and *glances at calendar* it's only actually been 48 hours. However, you've had to wait long enough to remember these old, forgotten shows, so I'm not going to slow up just yet. Right, let's get started.

The Coal Hole Club / Grumbleweeds – BBC1 – 1973 to 1974


Comedy band The Grumbleweeds invite young viewers to “Drop in the Coal Hole” for a fast paced party which takes in songs, jokes and impressions. The Coal Hole Club also features a number of special guests that appear to ratchet up the variety of this variety show with Ken Wood, comedy trampoline act The Crazy Tramps, Ray Alan with Lord Charles and Rod Hull and Emu. The second series renames itself Grumbleweeds, but aside from this name change the format retains the same “Grumble-grand, Grumble-get-together” and setting as The Coal Hole Club.

Following their success on Opportunity Knocks in the 1960s, The Coal Hole Club was the first television vehicle offered to The Grumbleweeds. A total of 12 25-minute episodes were produced by BBC Manchester over the course of the two series with Tony Harrison acting as producer. Only a handful of shows still exist in the archives due to the BBC’s routine junking policy that was still in place at the time of the both series’ broadcasts. Neither series was ever repeated and, instead, the Grumbleweeds found themselves finding a more permanent home on BBC Radio 2 with The Grumbleweeds Radio Show.

Puzzle Party - ITV - 1977


In amongst a rabble of riotous, Geordie children who are split into two teams - the Coconuts and Bananas - Gyles Brandreth hosts Puzzle Party, a game show turned quiz turned riddletastic extravaganza with the occasional story or spot of poetry. Sporting a series of jumpers with his first name proudly emblazoned across them, Gyles sets tasks for the two team such as pulling out sheets of newspaper from underneath cans without knocking them over and trying to guess which cream covered jelly has a hanky hidden inside it. There's also time for more standard fare including giant jigsaw puzzle tasks and quickfire quiz questions. Gyles is aided by a series of soft toy and glove puppet gnus with names such as Gnigel, Gnorris and Gnenglebert. The Christmas special edition of Puzzle Party finds a further helper for Gyles in the form of Bonnie Langford.

Puzzle Party contains wall to wall Gyles Brandreth and his ability to engage with the children, even when he's being hilariously obstinate, makes you wonder why he hasn't done more children's TV. It's a riotous, quirky series with a loose and mildly anarchic feel which calls to mind the best aspects of children's TV, but for one reason or another it was sadly short lived. A Tyne Tees Television production, five episodes of Puzzle Party aired in the summer holidays of 1977 in a Thursday 10.40am slot on ITV, a Christmas special followed later in December of the same year. Puzzle Party was produced by Anne Wood (Teletubbies, Pob's Programme, Ragdolly Anna) with repeats airing across the regional ITV stations until 1978.

Chock-a-Block – BBC1 - 1981


Operated by, depending on the episode, either the Chockagirl (Carol Leader) or the Chockabloke (Fred Harris), Chock-a-Block is a huge, yellow computer packed full of rhyming brilliance and some curious synth sounds. Arriving on the chockatruck, the chockapresenter proceeds to feed blocks into Chock-a-Block which leads to a series of rhyming images being displayed on Chock-a-Block’s monitor e.g. cat, rat and hat. Illustrations and jaunty songs, such as Mary, Mary, Quite Contrary, soon follow to help hammer home the effect of rhyming in language. And then there’s the spinning rockablock which, again, underlines the rhyming theme by matching similar sounding pictures on two blocks e.g. dog and log.

Chock-a-Block occasionally grates due to its insistence of repeating exceptionally simple rhymes to the point of head-hammering mundanity, but it more than makes up for this when it comes to its visuals and songs. The Chock-a-Block computer is still a work of yellow brilliance and the songs featured throughout the series are little slices of melodic greatness. And that synth heavy theme is beyond compare. Although it felt as though there were hundreds of episodes, Chock-a-Block only comprised 13 episodes which first aired in 1981 across a single series. Part of the lunchtime See-Saw roster on BBC1, Chock-a-Block was created by Michael Cole and directed by Nick Wilson. Repeats of the series continued up until 1989.

Eastern Tales – ITV – 1984


Narrated by Michael Hordern, Eastern Tales is a storytelling series which uses illustrations to retell fables whose origins are embedded deep within the history of Islam. Wisdom is dispensed through tales such as The Obstinate Couple which tells the story of a newly married couple who, upon refusing to agree on who is best suited to the effort of closing their front door, embark upon a vow of silence with the first person to speak having to close the door. Meanwhile, The Envious Wife is a fable which demonstrates how a lowly cobbler is forced into fabricating powers of astrology to help appease his wife’s greed for riches, even if it means the cobbler will lose his head.


Whilst Eastern Tales doesn’t distinguish itself visually and looks rather static, the gravitas of Michael Hordern’s narration brings a clout of quality to the proceedings. It’s nice, too, for a series of stories to be presented that are set within a different culture, rather than the tired Western traditions. Produced by Yorkshire Television (in association with Yathrib Audio Visual Ltd), Eastern Tales consisted of six 10-minute episodes which aired at weekends in either mid-morning or lunchtime slots. The series was written, produced and directed by Oliver Hunkin who had previously produced religious children’s shows for ITV such as When the Saints Go Marching In and God’s Story.

Fingermouse – BBC1 – 1985


A self-professed “musical paper mouse” who can play drums, the piano, woodwinds, strings and just about anything, Fingermouse has found himself teamed up with the Music Man (Iain Lauchlan) in a landscape of music and puppetry. With demonstrations provided by the Music Man, Fingermouse learns about an array of instruments such as the violin, piano, balalaika and concertina. Fingermouse also ventures into the world outside where all manner of wildlife is waiting down by the river. Drat is a rather scruffy looking rat whose yawns are so infectious that they make boxes of Cornflakes yawn. Old Vole, who lives in a hole, struggles to draw breath due to the ancientness of his lungs. Kingfisher, meanwhile, is a musical sort himself, but his Queen has a tendency to take over the singing duties.

Another gem of children’s TV from the stable of Michael Cole, Fingermouse is an enchanting watch which combines a musical education with those stalwarts of children’s TV: stories and puppets. The riverside scenes, in particular, are packed full of charming, paper-based characters that engage on a level that CGI can only dream of. The puppets featured were created by Joanne Cole and viewers were able to write in for instruction packs on how to create their own. Fingermouse was, of course, a spinoff from its more famous parent show Fingerbobs. And, much like its forebear, Fingermouse ran for just one series of 13 episodes that were broadcast in the lunchtime children’s BBC slot. These 15-minute episodes were repeated for several years with the final airings coming in December 1994.

Tube Mice – ITV – 1988


Oxford Circus tube station may, upon a cursory glance, appear to be packed full of businessman rushing to and from work on their commute, but take a second to look beneath your feet and you may just spot the Tube Mice. Squeak (Rupert Farley) was originally a field mouse, but ends up as a tube mouse whilst hunting for his uncle’s inheritance in London. Bubble’s previous home was up high in a tower block, but after being chased into the underground by a cat, she makes the underground her home. Vernon (George Cole) is the definition of an East End wideboy with a selection of fake watches hanging inside his coat and, for reasons unknown, the attire of a Teddy Boy. Acting as Vernon’s lackey is the bespectacled, bird-brain punk Toaster (Denis Waterman).

Life for the Tube Mice isn’t all nibbling on cheese and gnawing holes in the skirting board. One of their main pursuits is cleaning up after messy old humans who leave all sorts of rubbish lying about at the station. Following the ‘mouse code’ of “We never steal, that’s what we say, we only use what’s thrown away”, the Tube Mice put this rubbish to good use e.g. using an old paintbrush as a rather natty sweep. Aside from these Womble-esque pursuits, the Tube Mice also find themselves caught up in capers that involve rescuing fellow mice from an animal testing lab, taking an American mouse on a tour of London whilst hanging onto an airborne balloon and trying to avoid the sharp claws of a runaway cat.

Tube Mice has a highly unusual look that takes in strange perspectives, proportions that are all askew and a twitchy animation style to the characters. Far from being bewildering, though, it’s highly unique and marks it out from its peers. The most wonderful aspect of Tube Mice, however, is George Cole’s performance which is straight out of the Arfur Daley handbook. Engendering the episodes with a healthy dose of Cockney charm, Vernon gets all the best lines and gives the episodes a lively pace. Tube Mice was created by Simon Bor and Sarah Bor who also co-wrote the 26 five-minute episodes alongside Dave Moran. The series was produced by the Bor’s Honeycomb Animation company alongside Television South West. Episodes aired as part of Children’s ITV in a 4.10pm slot.

And, with that double mouse ending - apologies if you're petrified of mice - it's time to bring The Forgotten World of British Children's TV to a close once more. Don't worry, though, as there are still many more editions to follow. And, remember: suggestions for future editions are always much appreciated, so let me know if you've got any worthy additions in the comments below.
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